Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
Whoe'er thou art of the Aonides, whom to-morrow's dawn shall
see saved from the world of the dead by my boon, I bid thee
bear this message to thy chief: 'Raise mounds about the gates,
forge new weapons, look to your walls that crumble with years,
and above all be mindful to marshal thick and multiply thine
hosts! Behold this plain smoking with the work of my sword.
Such men are we when we enter the field of battle.'
On his return to Argos he bursts impetuously into the palace, crying
fiercely for war.[561] When Lycurgus would slay Hypsipyle for her
neglect of her nursling, he saves her.[562] She has preserved the Argive
army, and Tydeus, if he never forgives an enemy, never forgets a friend.
He alone defeats the entreaties of Jocasta[563] and launches the hosts
of Argos into battle; and when his own doom is come, he dies as he had
lived, _impiger, iracundus, inexorabilis_; he has no thought for
himself; he cares nought for due burial (viii. 736):
non ossa precor referantur ut Argos
Aetolumve larem; nec enim mihi cura supremi
funeris: odi artus fragilemque hunc corporis usum,
desertorem animi.
I ask not that my bones be borne home to Argos or Aetolia;
I care not for my last rites of funeral; I hate these limbs
and this frail tenement, my body, that fails my spirit in
its hour of need.
His one thought is for vengeance on the dead body of the man who has
slain him[564] and for the victory of his comrades in arms.
Only one other of the heroes has any real existence, the prophet
Amphiaraus. Statius does not give him the prominence that he held in the
original epic, and misses a noble opportunity by almost ignoring the
dramatic story of Eriphyla and the necklace that won her to persuade her
husband to go forth to certain death. But the heroic warrior priest of
Apollo, who knows his doom and yet faces it fearlessly, could not fail
to be a picturesque figure, and at least in the hour of his death
Statius has done him full justice. Apollo, disguised as a mortal, mounts
the chariot of Amphiaraus and drives him through the midst of the
battle, dealing destruction on this side and that (vii. 770):
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account