Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
We often meet with pieces of Dresden china which have an engraved cut or
scratch across the swords, which indicates, as before said, that the
pieces have been _painted_ outside the factory.
The beds of fine clay in Saxony are much deteriorated; and the
productions at Meissen no longer hold so high a place as they once did.
BERLIN PORCELAIN--HARD PASTE.--It was not until 1751 that attempts were
made to produce porcelain in Prussia. This was a private enterprise
undertaken by a Mr. Wegeley. The _Gentleman's Magazine_ of 1753 spoke of
him in this way: "There has been discovered here at Berlin the whole art
of making china-ware, without any particular kind of earth, from a kind
of stone which is common enough everywhere," etc.
Wegeley worked on for eight years, but could not make the production
pay, and abandoned it; when it was taken up by a banker named
Gottskowski (1762), who, having capital, pushed it toward success. In
1763 the establishment was bought by Frederick the Great, who made it a
royal manufactory, and forced a success.
[Illustration: FIG. 130.--_Berlin Porcelain._]
When Frederick took Dresden, the porcelain-works at Meissen were
temporarily suspended. He had an eye to understand the value of the
porcelain industries, and he took measures to grace his capital and
increase the wealth of Prussia by establishing a great manufactory at
Berlin. He carried off from Meissen some of the best examples of the
porcelain collection, transported to Berlin tons of the fine clay, and
borrowed the best workmen and the most distinguished artists for his new
factory; among these the names of Meyer, Klipsel, and Böhme, are
mentioned.
The Berlin productions soon rose into fame and obtained a wide
circulation. Not only did the king spread the work abroad by means of
exquisite presents; he also took measures at home to secure a market. He
ordered that no Jew should marry until he had provided himself a
sufficient outfit of porcelain from the royal manufactory. Now, the Jew
does not like to waste his money, and he at once sought a market for the
wares he had been forced to buy. All this advertised and spread abroad
the excellent work.
During the collapse of Meissen, Russia became a large customer for
Berlin; and its finished and elegant dinner-services went into her
palaces and mansions. The best work of Berlin equals the best work of
Dresden; its paste is more creamy, and some of its painters were not
excelled. A favorite decoration at Berlin was the small Watteau
figure-pieces, painted in medallions or reserves. Its examples of
pierced or open-worked border plates are excellent.
In Fig. 130 are two examples of these, from Mr. Prime's collection,
which are perfectly painted in the naturalistic way. So, too, is the
tureen, which has finely-modeled heads for handles, which yet are
unsatisfactory. This is one piece of a large dinner-service.
Berlin porcelain ranks high, and good specimens bring good prices.
Public-domain text, read in full here on John Shaqi.
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