Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
In their tombs have been found gold-work, jewels, manuscripts, vases:
all of which tell their stories of the way men lived, how they worked,
what they sought; all of which show us that man then was the same as man
is now--if you pricked him he bled, if you tickled him he laughed. We
are apt to think that the Past was ignorant, brutal, savage. Have we,
boastful as we are, made porcelain better than the Chinese? Have we made
vases more beautiful than the Greeks? Poetry more musical?
In the far past man was savage, brutal, ignorant; and there is in man
still the latent tiger. In the civilization of which we boast, there
exist in all great cities, side by side with luxury and splendor,
poverty, wretchedness, squalor, brutality.
In the days of Pericles, in those days when the Amphora and the Temple
reached their most perfect development, the influences of Art and Poetry
were most potent upon that small democratic oligarchy which possessed
Athens and tyrannized over Greece. Then the tiger lay down in the midst
of a wonderful wealth of architecture, sculpture, poetry, eloquence,
painting (we suppose), and pottery. Then a whole district of the city to
the northwest of the Acropolis and the Areopagus was occupied by the
shops of the potter and the painter, and was known as the CERAMICUS, or
_Keramicus_, as it now is often spelled. From that centre went out into
all the coasts of the Mediterranean Sea thousands upon thousands of
those vases and pots which were made and decorated there, and from whose
pictures we have drawn much of our knowledge of Greek life, art,
manners, and dress.
[Illustration: FIG. 29.--_Egyptian Vase._]
In this high time of ART lay the seeds of corruption and death. The
Athenian Greek became critical, refined, weak, luxurious, corrupt,
base; and then he went to decay. In some tombs (Fig. 30) opened in
Italy, the body is found lying at length in the middle, and about it
stand perfect vases, love-offerings of friends: were they once filled
with perfumes upon which the spirit of the dead was wafted away? We
place flowers in the graves of our lovely ones, and, beautiful as they
are, they vanish with the dead. But the Greek vase remains to us after
the lapse of two thousand years.
[Illustration: FIG. 30.--_Tomb found in the Environs of Naples._]
Public-domain text, read in full here on John Shaqi.
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