Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
When the Greeks--how early--began to fashion their fine work is not
surely known; but pottery of theirs exists dating as far back as 700 B.
C. Behind them were the Assyrians and the Egyptians, both nations great
in war and great in the arts of peace. The remains we have of both show
the Egyptians to have been the masters, with whom began those arts which
grew and bore fruit in Assyria and in Greece. But the art of the
Egyptians seems never to have reached the lightness, the delicacy, the
exquisite beauty of line, which yet glorify the fictile art of Greece.
Older than the oldest writings of the Hebrews, older than Homer, is the
potter's wheel; through all history it has been the friend and companion
of man; its products are part of his daily life; and delicate, brittle
as they are, they have proved more enduring than the Pyramids.
[Illustration: FIG. 31.--_The Archaic Period._]
Nearly all the pieces of pottery found in Egypt belong to those things
which went into the daily uses of life. Most of them are of common clay,
with common forms, and rude finish; and they seem to have been of all
shapes and designed for many purposes. Great casks, vases, pots for oil,
for grain, for meats, for wines, for drugs, for lamps; children's
marbles, checkers, toys, rings, amulets, bottles, etc., etc., are among
the many things shaped by the potter in Egypt.
Of those things made for ornamental purposes, there still exist some
vases which approach the simple beauty of the Greek; of which we give
one as pictured by Wilkinson in his work upon the antiquities of Egypt.
Fig. 27 is an _Egyptian kylix_ or _drinking-cup_. It much resembles the
Greek kylix or cylix, except that the foot is less perfect.
[Illustration: FIG. 32.--_The Departure of Achilles, from Vase in the
Louvre._]
The highly-ornamented bottle (Fig. 28, _aryballos_) is another thing
made purely for purposes of luxury, which Potiphar's wife used to hold
her dainty perfumes--perfumes which, we may easily believe, would add to
her dangerous charms. It is modeled from the African calabash, which was
the first vessel used there for carrying water. Form and decoration are
both perfect in this small bottle.
[Illustration: FIG. 33.--_Kylix, of an Early Form._]
We add a figure of very ancient Egyptian pottery, an early example of
the efforts of that people at the human figure in clay. It is made to
serve the purposes of a vase, whether for religious uses or other we do
not know (Fig. 29).
[Illustration: FIG. 34.--_Kylix, Finer Form._]
The terra-cotta earthenware vases and cups of the Greek and Etruscan
potters, by universal consent, have come to be accepted as the most
beautiful and satisfactory. That they were thus perfect from the start,
and always so, no one need maintain; but that from Greece and from many
parts of it should have come such a vast number of vessels, nearly all
of which are beyond criticism, is what no one can fully explain.
Public-domain text, read in full here on John Shaqi.
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