Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876 — John Shaqi
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
That dress was a matter of important thought with woman there also, is
beyond doubt; and the textures of the _chitons_ and _himations_, the
proper colors of their bands and their girdles, caused much perplexity
to the beautiful Greek maiden, as they have to the beautiful American of
to-day. But the Greek seems to have escaped one great misery and
mystery--_her fashions did not change_; no staff of designing men was
working with swift brain, hand, and pencil, in Athens or Corinth, to
perplex her delicate mind with fashion-books, thus forcing her into
exquisite torture, and keeping her there. The pictures upon the vases
continuing through many centuries, show no very marked changes in dress.
Was woman, then, supremely happy? Who can say! Besides dress, there can
be no question, from the large numbers of perfume-bottles and vases of
clay, as well as from the quantity of those of glass found by Cesnola in
his excavations, that a very great degree of luxury, if not of dandyism,
was reached by the women as well as the men in that "good old day of
Greece." We know something of the luxury, the lavish daintiness of
Alcibiades and his friends, but very little of that of their wives.
There was, however, an evil thing in Greece, and one which the Greek
wife felt strongly, keenly--it was the _hetairai_, the _demi-monde_ of
the great cities. Nowhere except in England and America has the virtue
of married woman been held at so extreme and exalted a height, nowhere
has its sale been lowered to such a depth, as in Athens.
Public-domain text, read in full here on John Shaqi.
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