Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
Among the _hetairai_ of Athens and Corinth were found the most
beautiful, the most brilliant, and the most highly-cultivated women of
Greece; to them every attraction was of inestimable value, and whatever
would charm men was to be sought and seized. That among them were women
of great mental gifts, of much political knowledge, of highly-cultivated
artistic perceptions, we have every reason to believe; that the
_hetairai_ made their houses as attractive as possible we may also
believe; and in them, we do not doubt, were found some of the best
examples of the art of Greece outside the temples and the gymnasia. Here
we may suppose that the fine vases found appreciative recipients, as
well as appreciative admirers among men. That all who sold their charms
were what we term "abandoned" is not true; they did not so consider
themselves, and were not so esteemed among the men or women of Greece;
that some of them, many of them, became so, is beyond doubt true. But
among them some (how many who can tell?) were cultivated, interesting,
able, there is no doubt; and that they continued so. It was long the
fashion to suppose and to say that the poetess Sappho, and the
politician Aspasia, were courtesans, which hardly any man will now
maintain. As to the former less is known, but Aspasia, though not
legally married to Pericles (as she could not be), was virtually his
wife and partner through all his life, in his schemes for governing,
exalting, and beautifying Athens. Her house then was the most beautiful,
the most complete, and the most attractive, in Athens; and to it
resorted the most noted statesmen, rhetoricians, philosophers, wits, and
artists, of that most remarkable city and time.
[Illustration: FIG. 50.--_Etruscan Vase._]
It is a misfortune to us that no Greek house of the time of
[Illustration: FIG. 51.--_Etruscan Vase._]
Pericles, the perfect day of a most remarkable and highly-æsthetic
civilization, remains; either its stone-walls, or in pictures on its
temple-walls or on its vases. The great catastrophe which overwhelmed
Herculaneum and Pompeii has secured to us the means of knowing how the
luxurious Roman lived in those little seaside cities eighteen hundred
years ago; a time when Cæsar was hardly dead, and Jesus almost unknown.
Every house in Athens and in Corinth, in Samos and in Melos, has been
swept away by the besom of war or the feathered wing of Time. We know
what we do know from the verses of the poets or the allusions of the
playwrights, and that is all; but from these we gather that the house or
home was a place rather for the woman than for the man; that in it the
woman, though not exactly a prisoner as in the harems of the Asiatic
kings, was expected to stay and to find "her sphere." The porter sat at
the door of the house, and when the woman walked forth she went
accompanied by her slave, and it was known for what she went.
Public-domain text, read in full here on John Shaqi.
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