Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
The _tub of Diogenes_, there is reason to believe, was a great earthen
vase or pot--the PITHOS. These were built up of clay by the Greeks by
hand around a frame, and were afterward baked. As they sometimes reached
the dimensions of over three feet in diameter and six or seven feet in
height, it is plain that they could not be turned upon the potter's
wheel. It is easy, too, to understand what an excellent shelter such a
pot would make for such a cynical philosopher as Diogenes, who needed a
very cheap rent. But if a wicked boy _should_ throw a cruel stone some
fine evening, striking the pot in a weak spot, the rent might end in a
convulsion and ruin.
ETRUSCAN VASES.--The "_Etruscan vase_" not being what we have here
described and figured as the "Greek vase," it remains to say briefly
that the vases and pots made by the Etruscans before the coming of the
Greek potters were quite different; ruder and less fine in form and in
decoration. Indeed, it is not likely that the painted vase found in
Italy, known as the Greek vase, was ever the work of the Etruscan
workmen. The Etruscan pottery was thicker, less ornamental, and it
indicates a different race and lower æsthetic development. In the Museum
of Art at Boston is now placed a collection of Etruscan work which is
said to be unique in this country as well as in England. In this are a
number of vases which are ornamented with heads and figures in relief,
not sharp and fine; these are wholly covered with a black color. A few
which are painted are quite different and inferior to the work of the
Greeks. The collection was secured in Italy by Mr. J. J. Dixwell, who
has been so good as to present it to the museum. Figs. 49, 50, 51, 52,
53, are examples of some of the vases in the Museum of the Louvre, which
present the general style and character of this work; they show clearly
how much the real Etruscan vase differs from the true Greek vase.
CHAPTER III.
UNGLAZED POTTERY AT THE GREAT EXHIBITION OF 1876.
Unglazed Water-Colors.--Clay Sketches.--Japanese Clay
Figures.--Spanish Pots.--Italian Peasant
Pottery.--Egyptian.--Turkish.--Mexican.--Watcombe
Terra-cotta.--Copenhagen Pottery.
The reports of the judges have not yet appeared, so that we do not and
cannot know what their awards may be. But as so many persons who saw and
judged for themselves may never see these reports, it may therefore
serve to remind them of many things there if I put down here my own
notes of what I saw and admired.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account