Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876 — John Shaqi
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
The life of the Greek man was essentially and in his best hours outside
his own house. By the Greek man we now mean the upper or more wealthy
classes; all these had their work done by slaves. He went forth in the
early morning to visit the theatres, where he was entertained with the
dramas of Æschylus, of Euripides, of Aristophanes; he breakfasted; he
visited the markets; he went to the bath; to the hairdresser; he
conversed in the porticoes; he frequented the gymnasia, where he could
talk or listen, where he could exercise and enjoy his body, where
beautiful bodies and philosophic tongues found free play and ample room.
Everything of politics, of poetry, of art, of scandal, was a delight to
the keen and active intellect of the Greek; as in St. Paul's day, he was
eager to hear or see some new thing: and when such a ruler as Pericles
had grasped the purse and the sword, and had gathered together in the
small city of Athens all the sculptures, all the poetry, all the
eloquence, all the pictures, all the vases, to adorn and glorify it, the
Greek man may be said--using our expressive American phrase--"to have
had a good time!"--as good as he has been able yet to see in the long
history of the race.
[Illustration: FIG. 52.--_Etruscan Vase._]
Knowing as much as we do of the life of the Greek man and the Greek
woman, need we be surprised that the rather sharp-tempered Xantippe,
wife of that delightful vagabond and philosopher, Socrates--he who
puzzled the too conscious sophists and pleased the simpler people, who
loved the true and hated the false; he who lived for wisdom and not for
power; who cared much for mind and less for money; who basked in the
sunshine of the porticoes and pined in the shadows of his own
house--need we be surprised that this wife of his was driven to go forth
at times to seek her vagrant lord in the throng of the market-place or
the excitements of the Academy, and to lead him thence to the place of
his wife and children? Need we be surprised that her speech was then
unmelodious, unconjugal, and that she became a sport and by-word for the
wicked wits of that brilliant city?
[Illustration: FIG. 53.--_Etruscan Vase._]
But with his faults Socrates had the great virtues of serenity and
patience, always indispensable in the married man, at least.
If the vases had only preserved for us the portraits of Xantippe and
Socrates, or even of the room they lived in, how much would we thank
them! As to the _pictures_ upon the vases, the best of them seem to be
copied or adapted by the vase-painters from pictures of the best artists
of Greece, made to illustrate the worship or the doings of the gods, the
great deeds of the heroes, the feats at games, the triumphs at the
feasts, etc., etc. Many of these are but carelessly, even poorly, put
upon the vases; the _best_ are those we must look for to admire, to
enjoy, and to emulate.
Public-domain text, read in full here on John Shaqi.
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