Since the essence of gambling is the abrogation of the will, every
indulgence weakens the power to resist the temptation. Gambling soon
becomes a mania. Honest ways of earning money seem slow and dull. And
the habit becomes confirmed before the victim is aware of the power over
him that it has gained. Every form of gain which is contingent upon
another's loss partakes of the nature of gambling. Raffling, playing for
stakes, betting, buying lottery tickets, speculation in which there is
no real transfer of goods, but mere winning or losing on the
fluctuations of the market, are all forms of gambling. They are all
animated by the desire to get something for nothing: a desire which we
can respect when a helpless pauper asks for alms; but of which in any
form an able-bodied man ought to be ashamed.
THE PENALTY.
+The shame of cowardice.+--Man is meant to be superior to things outside
him. When we see him bowing down to somebody whom he does not really
believe in; when we see him yielding to forces which he does not himself
respect; when living is more to him than living well; when there is a
threat which can make him cringe, or a bribe that can make his tongue
speak false--then we feel that the manhood has gone out of him, and we
cannot help looking on his fall with sorrow and with shame. The penalty
which follows moral cowardice is nowhere more clearly stated than in
these severe and solemn lines which Whittier wrote when he thought a
great man had sacrificed his convictions to his desire for office and
love of popularity:
So fallen! so lost! the light withdrawn
Which once he wore!
The glory from his gray hairs gone
Forevermore!
Of all we loved and honored, naught
Save power remains,--
A fallen angel's pride of thought,
Still strong in chains.
All else is gone, from those great eyes
The soul has fled:
When faith is lost, when honor dies,
The man is dead!
Then pay the reverence of old days
To his dead fame;
Walk backward, with averted gaze,
And hide the shame.
CHAPTER XI.
Nature.
Public-domain text, read in full here on John Shaqi.
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