English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
The terrible
Franceschini family cannot try to get that money from the convent; for
the convent means the power of the Church; and the power of the Church
is even more terrible than the power of the Franceschini. Of course the
Pope knows nothing of this matter; the Pope is the finest character
in the whole story. Historically this Pope was Innocent XII, but his
character, as drawn in the study of Browning, is much more like the
character of one of his predecessors, Innocent XI.
Now I have told you the story, or rather the history of the real
tragedy, which happened something more than two hundred years ago. You
can imagine how complicated the whole thing is, from the very short
summary which I have made. Now if you had to treat a story like this
dramatically, how would you do it? where would you begin? in what way
could you hope to make artistic order out of such confusion? The task
might have puzzled even Shakespeare. It puzzled Browning for more than
a year before he felt how the thing was possible to manage. When I tell
you the way in which he treated the whole material of the case, I think
you will perceive that only a genius could have thought of the way.
As I have said, Browning divides his poem into twelve parts; and each
part is a monologue. I shall now give you in paragraphs as brief as
possible, the subject of each monologue. You had better follow the
order of the book, using Roman numerals at the beginning of each
paragraph, and putting the title of the book in Italic letters:
I. _The Ring and the Book._ Interpretation of the title, and history of
the crime and the trial as told in the ancient legal documents. This
monologue represents the author's speaking only.
II. _Half-Rome._ Public opinion is always divided upon any
extraordinary event. Browning here tries to give us one side of public
opinion in the year 1698, upon the Franceschini murder. The monologue
represents the ideas of a man of the society of that time.
III. _The Other Half-Rome._ This monologue represents the contrary
opinion on the subject. But it is a curious fact that neither form of
public opinion even approaches the truth. Both sides are absolutely
mistaken, and very unjust to poor Pompilia.
IV. _Tertium Quid_ (i.e., "a third somebody" or "party"). This opinion
is quite different from that of the two halves of Rome, but it is
equally far from the truth.
Public-domain text, read in full here on John Shaqi.
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