English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
_Ten years of years._ That is, years composed not of three hundred
and sixty-five days, but of three hundred and sixty-five years. To
the lover on earth, deprived of his beloved by death, the time passes
slowly so that a day seems as long as a year. Sometimes he imagines
that he feels the dead bending over him--that he feels her hair falling
over his face. When he looks, he finds that it is only the leaves of
the trees that have been falling upon him; and he knows that the autumn
has come, and that the year is slowly dying.
It was the rampart of God's house
That she was standing on;
By God built over the sheer depth
The which is Space begun;
So high, that looking downward thence
She scarce could see the sun.
_Rampart_, you know, means part of a fortification; all the nobility
of the Middle Ages lived in castles or fortresses, and their idea of
heaven was necessarily the idea of a splendid castle. In the "Song
of Roland" we find the angels and the saints spoken of as knights
and ladies, and the language they use is the language of chivalry.
_Sheer depth_, straight down, perpendicularly, absolute. God's castle
overlooks, not a landscape, but space; the sun and the stars lie far
below.
It lies in Heaven, across the flood
Of ether, as a bridge.
Beneath, the tides of day and night
With flame and darkness ridge
The void, as low as where this earth
Spins like a fretful midge.
Around her, lovers, newly met
'Mid deathless love's acclaims,
Spoke ever more among themselves
Their heart-remembered names;
And the souls mounting up to God
Went by her like thin flames.
_Ether._ This is not the modern word, the scientific ether, but the
Greek and also mediæval ether, the most spiritual form of matter. The
house of God, or heaven, rests upon nothing, but stretches out like a
bridge over the ether itself. Far below something like enormous waves
seem to be soundlessly passing, light and dark. Even in heaven, and
throughout the universe, it was supposed in the Middle Ages that there
were successions of day and night independent of the sun. These are the
"tides" described. _Ridge the void_ means, make ridges or wave-like
lines in the ether of space. _Midge_ is used in English just as the
word _kobai_ is used in Japanese. Fretful midge, a midge that moves
very quickly as if fretted or frightened.
And still she bowed herself and stooped
Out of the circling charm;
Until her bosom must have made
The bar she leaned on warm,
And the lilies lay as if asleep
Along her bended arm.
_Charm._ The circling charm is not merely the gold railing upon which
she leans, but the magical limits of heaven itself which holds the
souls back. She cannot pass beyond them. Otherwise her wish would take
her back to this world to watch by her living lover. But only the
angels, who are the messengers of heaven, can go beyond the boundaries.
Public-domain text, read in full here on John Shaqi.
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