English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
At the present time (1900) scarcely any English poet is more in vogue
than George Meredith. His popularity is comparatively new, but it is
founded upon solid excellence of a very extraordinary kind. George
Meredith is an exception to general rules--even to the rule that a
great poet is scarcely ever a great prose writer; for he was known
to the public as a novelist for half a century before he began to be
known as a poet. To-day he is so often quoted from, so often referred
to, that we cannot ignore him in the course of lectures upon English
literature.
He is now nearly seventy-two years old, having been born in 1828.
He studied mostly in Germany, and studied law, but he had scarcely
left his university when he resolved to abandon law and devote his
life to literature. Returning to England he published his first book,
a volume of poems, in 1851. It attracted no notice at all. In 1856
his next book appeared, called "The Shaving of Shagpat," a wonderful
fairy-tale, written in imitation of the Arabian Nights with Arabian
characters and scenery. It remains the best thing of the kind ever
done by any European writer, but the kind was not popular, and only
a few of the great poets and critics noticed what a wonderful book
it was. After that Meredith took up novel writing, studying English
life and character in an entirely new way. But he was not at first
able to attract much attention. His novels were too scholarly and too
psychological. Ten years from the date of his first volume of poems,
in 1862, he published another book of verses, entitled "Modern Love."
This attracted the notice of Swinburne, but of scarcely anybody else,
and Meredith went back to novel writing. Twenty years later, in 1883, a
third volume of poems appeared, "Poems and Lyrics of the Joy of Earth."
This book obtained some critical praise, but only the cultivated men
of letters appreciated it. More novels followed, and in 1887 and 1888
appeared the last volumes of poems, "Ballads and Poems of Tragic Life,"
and "A Reading of Earth." Since then Meredith has chiefly written
novels, but occasionally he writes poems. Success came to him only in
old age--within the last twenty years. It is not within the purpose of
this lecture to speak of his novels at all; we shall deal only with his
poetry.
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