English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
Just as another woman sleeps!
Enough to throw one's thoughts in heaps
Of doubt and horror,--what to say
Or think,--this awful secret sway,
The potter's power over the clay!
Of the same lump (it has been said)
For honour and dishonour made,
Two sister vessels. Here is one.
My cousin Nell is fond of fun,
And fond of dress, and change, and praise,
So mere a woman in her ways:
And if her sweet eyes rich in youth
Are like her lips that tell the truth,
My cousin Nell is fond of love.
And she's the girl I'm proudest of.
Who does not prize her, guard her well?
The love of change, in cousin Nell,
Shall find the best and hold it dear:
The unconquered mirth turn quieter
Not through her own, through others' woe:
The conscious pride of beauty glow
Beside another's pride in her.
. . . . . .
Of the same lump (as it is said),
For honour and dishonour made,
Two sister vessels. Here is one.
It makes a goblin of the sun!
For, judging by the two faces, the two characters were originally the
same. Yet how terrible the difference now. This woman likes what all
women like; his cousin, the girl he most loves in the world, has the
very same love of nice dresses, pleasures, praise. There is nothing
wrong in liking these things. But in the case of the prostitute all
pleasure must turn for her to ashes and bitterness. The pure girl will
have in this world all the pretty dresses and pleasures and love that
she can wish for; and will never have reason to feel unhappy except
when she hears of the unhappiness of somebody else. And it seems a
monstrous thing under heaven that such a different destiny should be
portioned out to beings at first so much alike as those two women.
Even to think of his cousin looking like her, gives him a shudder of
pain--not because he cruelly despises the sleeping girl, but because
he thinks of what might have happened to his own dearest, under other
chances of life.
Yet again, who knows what may be in the future, any more than what has
been in the past? All this world is change. The fortunate of to-day may
be unfortunate in their descendants; the fortunate of long ago were
perhaps the ancestors of the miserable of to-day. And everything may in
the eternal order of change have to rise and sink alternately. Cousin
Nell is to-day a fortunate woman; he, the dreamer at the bed-side of
the nameless girl, is a fortunate man. But what might happen to their
children? He thinks again of the strange resemblance of the two women,
and murmurs:
Public-domain text, read in full here on John Shaqi.
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