English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
Rossetti, as I have already shown you, was a true philosopher in
certain directions; and he applied his philosophical powers, as
well as his artistic powers, to his own experiences, so as to adapt
them to the uses of great poetry. He is never narrowly personal. And
his sonnets are really very wonderful compositions--not reflecting
universal experience so as to be universally understood, but reflecting
universal experience so as to be understood by cultivated minds only.
These productions are altogether above the range of the common mind;
they are extremely subtle and elaborate, both as to thought and as to
form. But their subject is not at all special. Rossetti had the idea
that every phase of happiness and sorrow belonging to married life,
from the hour of the wedding night to the hour of death, was worthy
of poetical treatment, because married life is related to the deepest
human emotions. And in the space of one hundred sonnets he treats every
phase. This series of sonnets is divided into two groups. The first
contains poems relating to the early conditions of love in marriage;
the second group treats especially of the more sorrowful aspects of a
married life--the trials of death, the pains of memory, and the hopes
and fears of reuniting after death. The second part does not, however,
contain all the sad pieces; there are very sad ones in the first group
of fifty-nine. We have already studied one of the first group, the
piece called "The Birth-Bond." There is another piece in this group,
the first of four sonnets, which is exquisite as a bit of fancy. It is
entitled "Willow-wood."
I sat with Love upon a woodside well,
Leaning across the water, I and he;
Nor ever did he speak nor looked at me,
But touched his lute wherein was audible
The certain secret thing he had to tell:
Only our mirrored eyes met silently
In the low wave; and that sound came to be
The passionate voice I knew; and my tears fell.
And at their fall, his eyes beneath grew hers;
And with his foot and with his wing-feathers
He swept the spring that watered my heart's drouth.
Then the dark ripples spread to waving hair,
And as I stooped, her own lips rising there
Bubbled with brimming kisses at my mouth.
Public-domain text, read in full here on John Shaqi.
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