English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
The phenomenon here described by the poet is unconsciously familiar to
most of us. Any person who has suffered some very great pain, moral
pain, is apt to observe during that instant of suffering things which
he never observed before, or to notice details never noticed before
in common things. One reason is that at such a time sense-impressions
are stimulated to a strange degree by the increase of circulation,
while the eyes and ears remain automatically active only. Whoever
among you can remember the pain of losing a parent or beloved friend,
will probably remember with extraordinary vividness all kinds of
little things seen or heard at the time, such as the cry of a bird or
a cricket, the sound of the dripping of water, the form of a sunbeam
upon a wall, the shapes of shadows in a garden. The personage of
this poem often before saw the woodspurge, without noticing anything
particular about it; but in a moment of great sorrow observing the
plant, he learns for the first time the peculiar form of its flower.
In a wonderful novel by Henry Kingsley, called "Ravenshoe," there is
a very striking example of the same thing. A cavalry-soldier, waiting
in the saddle for the order to charge the enemy, observes on the back
of the soldier before him a grease-spot which looks exactly like the
map of Sweden, and begins to think that if the outline of Norway were
beside it, the upper part of the map would go over the shoulder of the
man. This fancy comes to him in a moment when he believes himself going
to certain death.
Now we will take a longer poem, very celebrated, entitled "The Cloud
Confines."
The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown,
And height above unknown height.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The Past is over and fled;
Named new, we name it the old;
Thereof some tale hath been told,
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
_Or whether they too were we_,
Or by what spell they have sped.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of hate
That beats in thy breast, O Time?--
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fixed ever in vain
On the pitiless eyes of Fate.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
Public-domain text, read in full here on John Shaqi.
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