It was perhaps favorable to the immediate success of the Spy, that Cooper had few American authors to divide with him the public attention. That crowd of clever men and women who now write for the magazines, who send out volumes of essays, sketches, and poems, and who supply the press with novels, biographies, and historical works, were then, for the most part, either stammering their lessons in the schools, or yet unborn. Yet it is worthy of note, that just about the time that the Spy made its appearance, the dawn of what we now call our literature was just breaking. The concluding number of Dana's Idle Man, a work neglected at first, but now numbered among the best things of the kind in our language, was issued in the same month. The Sketch Book was then just completed; the world was admiring it, and its author was meditating Bracebridge Hall. Miss Sedgwick, about the same time, made her first essay in that charming series of novels of domestic life in New England, which have gained her so high a reputation. Percival, now unhappily silent, had just put to press a volume of poems. I have a copy of an edition of Hallock's Fanny, published in the same year; the poem of Yamoyden, by Eastburn and Sands, appeared almost simultaneously with it. Livingston was putting the finishing hand to his Report on the Penal Code of Louisiana, a work written with such grave, persuasive eloquence, that it belongs as much to our literature as to our jurisprudence. Other contemporaneous American works there were, now less read. Paul Allen's poem of Noah was just laid on the counters of the booksellers. Arden published, at the same time, in this city, a translation of Ovid's Tristia, in heroic verse, in which the complaints of the effeminate Roman poet were rendered with great fidelity to the original, and sometimes not without beauty. If I may speak of myself, it was in that year that I timidly intrusted to the winds and waves of public opinion a small cargo of my own--a poem entitled The Ages, and half a dozen shorter ones, in a thin duodecimo volume, printed at Cambridge. We had, at the same time, works of elegant literature, fresh from the press of Great Britain, which are still read and admired. Barry Cornwall, then a young suitor for fame, published in the same year his Marcia Colonna; Byron, in the full strength and fertility of his genius, gave the readers of English his tragedy of Marino Faliero, and was in the midst of his spirited controversy with Bowles concerning the poetry of Pope. The Spy had to sustain a comparison with Scott's Antiquary, published simultaneously with it, and with Lockhart's Valerius, which seems to me one of the most remarkable works of fiction ever composed.