Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687) — John Shaqi
Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)Boyle, Roger, Earl of Orrery
General
Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
Boyle, Roger, Earl of Orrery
English fiction -- Early modern, 1500-1700; Prefaces
which teaches them to argument from the paritie of reason. And in this
they resemble Mechanicks, who, by applying a cord, whose length they know,
to any body whose length they ignore, do thereby learn its measures also.
And by this way =Nathan= in the old Testament, and our Saviour in the new,
repremands the errors of =David= and the self conceated Jewes. The fourth
style is where the cadence is sweet, and the epithets well adapted,
without any other varnish whatsoever: and this is that style which is used
at Court, and is paterned to us by eloquent =Scuderie=. I hear there is
now a ridiculous caball of Ladies at =Paris=, who terme themselves the
precious, and who paraphrase every thing they speak of, terming a mirrour,
the conselour of beauty, and a chair, the commoditie of conversation, &c.
And thus they have progressed from painting of faces to paint
expressions._
_As for my self, since I expect no applause, I need fear no censure; and
if I satisfie not others, I shall at least satisfie my self, for it was to
form to my self a style that I undertook this Piece, whose defects I hope
the sober readers will pardon, since their clemency will not be oft
tempted with crimes of this nature: only this I begg, that these who will
not do me the favour to read the last part, will not do me the wrong to
read the first part; for as the Lord =Baken= very well observes, our
thoughts are like our years, whereof the first are alwayes the worst; and
it is no wonder, for boyling youth customarly throws the scum upmost. I
have concealed my name till I see how my undertaking is relished; for
which reason likewise, I have sent this Piece to the world unaccompanied,
as a swatch of what I intend, reserving the web, till I see how the Stuff
pleases. The subject hath made this first part serious, and my inclination
shall make the second pleasant._
BENTIVOLIO
AND
URANIA,
IN
FOUR BOOKES.
By _N. I._ D. D.
_LONDON_:
Printed by _J. G._ for RICHARD MARRIOT, and are to be
sold at his shop in Saint _Dunstans_ Church-yard _Fleetstreet_.
_MDCLX._
A PREFACE TO THE READER, CONCERNING The DESIGN of this BOOK.
_It is justly esteemed by those which know themselves, as the onely work
that is worthy of wise men, so to employ their better faculties and
improve their time, that at last they may obtain an End, in which they may
rejoyce eternally: After a sincere intention of this End, to prosecute it
with a constant use of fit means, is the Character of a Prudent and Good
man. Those which govern not their life by this Principle, do either suffer
themselves to be benum’d with Idleness, or abuse the activity of their
Souls in some vain employment._
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