Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)Boyle, Roger, Earl of Orrery
General
Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
Boyle, Roger, Earl of Orrery
English fiction -- Early modern, 1500-1700; Prefaces
_The =first= of these two out of their great love to do nothing, can make
no better wish for themselves, then that they might sleep out the other
half of their time; and it is rationall to do so, if his Rule were good
for any thing, who said, =He values his life at a just rate, who would be
content to forgoe it for a Dream=._
_The =other= make their bargain but a little better; for whilest they
entertain themselves with things which correspond not with the Dignity of
Reasonable Souls, instead of perfecting those rare Capacities with which
their Natures are invested, by a generous endeavour to obtain that
Happiness which God doth not envy us, they lessen themselves, clip the
wings of their Souls, and bring them down from those degrees of Excellency
which they actually enjoy, and make them degenerate into a brutish
incapacity, though many times they take no notice of the weakness of their
judgements: till they meet it in the miserable Consequences of their
Actions._
_It is not my purpose here to reckon up all the impertinencies of Mankind,
which are the several instances of the forementioned folly, I would onely
give a charitable notice of one, =viz. the VVriting and Reading of
Romances=. This I put into the number, because for the most part it is
verified in them what =Justin Martyr= said of =Homers= Poetry, Ἔστι γαρ ἡ
πᾶσα ῥαψῳδία Ἰλιάδος τε καὶ Ὀδυσσείας, ἀρχὴ καὶ τέλος, γυνὴ, =i.e. The
whole Rhapsody of Homers Iliads and Odysseis, beginning and end, is but a
VVoman=. Yet they dote so much upon that subject, that they think with
those amorous =Trojans=, that =Helen= was not onely worthy of all the
labours of =Homers Quill=, but also of the sharp contentions of the
=Greek= and =Trojan= swords._
Ου’ νέμεσις Τρωες και ευκνημιδαι Αχαιοι
Τοιη δ’ αμφι γυναικι πολυν χρονον αλγεα πασχειν: _i.e._
A ten years VVar is no unworthy sight,
VVhen _Greece_ and _Troy_ for such a VVoman fight.
_She was a brave Woman indeed, and it was but fit that so many Gallant men
should destroy one another in the =Revenge= and =Defence= of her
Adultery. But =Maximus Tyrius= in his 15th. Dissertation doth justly
reprove the folly of their opinion, and condemn the unreasonablenesse of
that lavish praise._
_I am not ignorant that =Homer= wrote upon another design, then to tell so
many tales of =Helen= and =Paris=, and that =Horace= hath said in his
Commendation,_
_Qui quid sit pulchrum, quid turpe, quid utile, quid non,
Plenius ac melius =Chrysippo= & =Crantore= dicit: i.e._
He what is fair, what foul, what good, what not,
Better then _Crantor_ and _Chrysippus_ wrot.
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