Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)Boyle, Roger, Earl of Orrery
General
Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
Boyle, Roger, Earl of Orrery
English fiction -- Early modern, 1500-1700; Prefaces
_But this sort of Books is most to be blamed, because for the greater
part, as I said before, their =chief Design= is to put fleshly Lust into
long stories, and sometimes not without very unhandsome mixtures, tending
onely to the service of brutish Concupiscence, the nourishment of
dishonorable affections, and by exciting in the Readers muddy fancies, to
indispose them for their attendance upon God by their better part. For
some such reason, I suppose, the great =Sidney= before his death charg’d
his friend Sir =Fulk Grevill=, who had the onely Copy of his =Arcadia=,
that he should never permit it to be made publick._
_The =other= pieces, which fill up the =intervalls= of the story, and
grace it with pleasing varieties, are commonly frivolous devices of wit in
some contemptible matter, and serve but to some such slight purpose, as
doth the writing of =Verses= in the form of an =Egge= or =Hatchet=, where
the measures of words and sense are constrain’d to suite with the odde
proportions of such figures. These are fine rarities of no use, the
intertexture of the =by-accidents= being as triviall as the =principall
Design=._
_’Tis true, some of these Authors written in divers Languages, are
applauded for the =Elegancy= of each particular =Tongue=, and are here and
there interspers’d with good =Sentences=: but they are so deeply
=infected= with =noisome words=, =immodest Tales= and =Discourses=, which
do fatally corrupt the manners of Youth, that I cannot but assent to the
Opinion of many wise men, who judge them, for all that, well worthy of the
fire. Neither do I think it improper to use the words, which the old
=Sages= of =Troy= silently mutter’d, when they perceived the dangers which
attended the beauty of =Helen=, which the young men extoll’d as equall to
that of the heavenly Goddesses._
Αλλὰ γαρ ὧς τοίηπερ ἐοῦς᾽ ἐν νηυσὶ νεέσθω
μηδ᾽ ἡμῖν τεκέεσσί τ᾽ ὀπίσσω πῆμα λίποιτο, _i.e._
But though She’s such, let her return, and make
An end of what we suffer for her sake.
_I could easily name them, but that Labour is needless to such as know
books: and to those which do not, I ought not, by making a Catalogue, to
give notice of such as I could wish burnt. If they were, they would not be
greatly miss’d, as to that propriety of speech unto which they lay claim,
and for which they are magnified by their Readers; because the best
Languages used in the world, may as well be learn’d from Authors that are
as Elegant as Chaste._
Public-domain text, read in full here on John Shaqi.
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