Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)Boyle, Roger, Earl of Orrery
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Prefaces to Four Seventeenth-Century Romances: Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)
Boyle, Roger, Earl of Orrery
English fiction -- Early modern, 1500-1700; Prefaces
_It may be so; for though =Chrysippus= was so great a man, that he was
esteemed the onely support of the Stoick School, according to the
Proverbiall speech recorded by =Diogenes Laertius=, Εἰ μὴ γὰρ ἦν
Χρύσιππος, οὐκ ἂν ἦν Στοά. Yet quite contrary to the vertuous design of
prudent =Socrates=, he spoil’d the Docrine of good manners, and unwisely
changed the substiantiall precepts of a morall life for the uselesse
subtilties of nice disputation. Or what if =Crantor=, whom he yokes with
him in the disparagement, made no great proficiency either by =Plato=, to
whose School he belonged, or =Homer= himself, who was his delight? For all
this fair verdict, which =Horace= hath passed in favour of his Brother
Poet, the Morall Vertues, which so highly concern the felicity of the
World, ought to be discours’d in another manner then he useth; for he, as
it may be said also of other =Romancers=, hath made the fabulous rind so
thick, that few can see through it into the usefull sense. I do not deny
what =Plutarch= saies, that his Verses were not written onely for
pleasure, ὰλλὰ γαρ βαθύτερός εστι τους ενκεκρυμμενους τοις επεσι, =i.e.=
but that a deeper meaning is hid under his Poems; but he hath sunk it so
deep, that very few can come at it. And some of those who applaud him for
a =Philosopher=, confesse that such onely can make a gain of him, that
have already attain’d a mature judgement by long study; that is, such may
possibly learn of him, who are able to teach him: But he is so unfit for
others, that =Plato= desired they might not see him, ἱνα μη μυθους
οιησοιντο γραφειν τον Ἡρωα, =i.e.= for fear they should think that the
=Hero= wrote fables, which he had good reason to expect upon the
perusall._
_Besides this, as many others do, he hath so form’d the representations of
Vertue and Vice, that it is hard to say, which is commended and which
reproved; whil’st the Gods are frequently brought in practising
Immoralities, he doth at least equall Vice to Vertue, and nourish that
which he should eradicate. For, why should men endeavour to be better then
their Gods? So he in the Comedy made the Adultery of =Jupiter= an apology
for his lust._
----Et quia consimilem luserat
Jam olim ille ludum--------
Ego homuncio hoc non facerem: _Terent. Eunuch._
_By these and such like instances the Greek Fathers did convince the
Heathens of the imperfection of their best Authors. So one may perceive in
some =Romances= of a later date, that the pictures of =Heroes=, which they
have drawn far exact patterns of the most rais’d vertue are often blotted
with notorious defects, as Impatience, Revenge, and the like._
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