Prejudices, fifth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fifth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Whether Comstock was right or wrong I don’t know--that is, whether
these sex hygiene books increased or diminished loose living in the
Republic I don’t know. Some say one thing and some another. But this I
_do_ know; they had a quick and tremendous influence upon the content
of American fiction. In the old-time novel what are now called the
Facts of Life were glossed over mellifluously, and no one complained
about it, for the great majority of fiction readers, being young and
female, had no notion of what they were missing. But after they had
read the sex hygiene books they began to observe that what was set out
in novels was very evasive, and that much of it was downright untrue.
So they began to murmur, to snicker, to boo. One by one the old-time
novelists went on the shelf. I could make up a long and melancholy
roll of them. Their sales dropped off; they began to be laughed at.
In place of them rose a new school, and its aim was to tell it all.
With this new school Comstock and his heirs have been wrestling ever
since, and with steadily increasing bad fortune. Every year they make
raids, perform in the newspapers and predict the end of the world, but
every year the average is worse than the worst of the year before.
As a practicing reviewer, I have got so used to lewd and lascivious
books that I no longer notice them. They pour in from all directions.
The most virtuous lady novelists write things that would have made a
bartender blush to death two decades ago. If I open a new novel and
find nothing about Freudian suppressions in it, I suspect at once that
it is simply a reprint of some forgotten novel of 1885, with a new
name. When I began reviewing I used to send my review copies, after
I had sweated through them, to the Y. M. C. A. Now I send them to a
medical college.
Public-domain text, read in full here on John Shaqi.
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