Prejudices, fourth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fourth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
If religion is thus charming to the more enlightened modern Christian
only in proportion as it is poetical, _i. e._, as it is regarded as
not literally true, it is charming to the enlightened spectator only
when it is formal and hence more or less insincere. A devotee on her
knees in some abysmal and mysterious cathedral, the while solemn music
sounds, and clouds of incense come down the wind, and priests in
luxurious, levantine costumes busy themselves with stately ceremonials
in a dead and not too respectable language--this is unquestionably
beautiful, particularly if the devotee herself be sightly. But the
same devotee aroused to hysterical protestations of faith by the
shrieks and contortions of a Methodist dervish in the costume of a
Southern member of Congress, her knees trembling with the fear of
God, her hands clenched as if to do combat with Beelzebub, her lips
discharging hosannahs and hallelujahs--this is merely obscene.
4
_The Restoration of Beauty_
I have said that the poetry which safeguards Christianity from
destruction today was borrowed from the ancient Jews, authors of
the two Testaments. But there was a long period during which it was
overshadowed by purely logical ideas, many of them of a sort that would
be called bolshevistic today. The principal Christians of the apostolic
age were almost exactly like the modern Calvinists and Wesleyans--men
quite without taste or imagination, whoopers and shouters, low
vulgarians, cads. So far as is known, their public worship was wholly
devoid of the sense of beauty; their sole concern was with the
salvation of their so-called souls. Thus they left us nothing worth
preserving--not a single church, or liturgy, or even hymn. The objects
of art exhumed from the Catacombs are inferior to the drawings and
statuettes of Crô-Magnon man. All the moving beauty that adorns the
corpse of Christianity today came into being long after the Fathers had
perished. The faith was centuries old before Christians began to build
cathedrals, and nearly a thousand years old before they learned how to
build good ones. It was twelve hundred years old before they invented
mariolatry--the prime cause of the appearance of a purely Christian
poetry. We think of Christmas as the typical Christian festival, and
no doubt it is; none other is so generally kept by Christian sects,
or so rich in charm and beauty. Well, Christmas, as we now have it,
was almost unknown in Christendom until the Eleventh Century, when the
relics of St. Nicholas of Myra, originally the patron of pawnbrokers,
were brought from the East to Italy. At this time the Universal
Church was already torn by controversies and menaced by schisms, and
the shadow of the Reformation was plainly discernible in the West.
Religions, in fact, like castles, sunsets and women, never reach their
maximum of beauty until they are touched by decay.
5
_End-Product_
Public-domain text, read in full here on John Shaqi.
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