Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
What could more brilliantly evoke an image of the eternal Miss Birch,
blue veil flying and Baedeker in hand, plodding along faithfully
through the interminable corridors and catacombs of the Louvre,
the while bands are playing across the river, and young bucks in
three-gallon hats are sparking the gals, and the Jews and harlots
uphold the traditions of French _hig leef_ at Longchamps, and American
deacons are frisked and debauched up on martyrs' hill? The banality of
it is really too exquisite to be borne; the lack of humor is almost
that of a Fifth avenue divine. One seldom finds in the pronunciamentoes
of these dogged professors, indeed, any trace of either Attic or Gallic
salt. When they essay to be jocose, the result is usually simply an
elephantine whimsicality, by the chautauqua out of the _Atlantic
Monthly._ Their satire is mere ill-nature. One finds it difficult to
believe that they have ever read Lewes, or Hazlitt, or, above all,
Saintsbury. I often wonder, in fact, how Saintsbury would fare, an
unknown man, at the hands of, say, Brownell or More. What of his
iconoclastic gayety, his boyish weakness for tweaking noses and pulling
whiskers, his obscene delight in slang?...
4
_The Ferment Underground_
So much for the top layer. The bottom layer is given over to the
literature of Greenwich Village, and by Greenwich Village, of course,
I mean the whole of the advanced wing in letters, whatever the scene
of its solemn declarations of independence and forlorn hopes. Miss Amy
Lowell is herself a fully-equipped and automobile Greenwich Village,
domiciled in Boston amid the crumbling gravestones of the New England
_intelligentsia,_ but often in waspish joy-ride through the hinterland.
Vachel Lindsay, with his pilgrim's staff, is another. There is a third
in Chicago, with _Poetry: A Magazine of Verse_ as its Exhibit A; it
is, in fact, the senior of the Village fornenst Washington Square.
Others you will find in far-flung factory towns, wherever there is a
Little Theater, and a couple of local Synges and Chekovs to supply its
stage. St. Louis, before Zoë Akins took flight, had the busiest of
all these Greenwiches, and the most interesting. What lies under the
whole movement is the natural revolt of youth against the pedagogical
Prussianism of the professors. The oppression is extreme, and so the
rebellion is extreme. Imagine a sentimental young man of the provinces,
awaking one morning to the somewhat startling discovery that he is
full of the divine afflatus, and nominated by the hierarchy of hell
to enrich the literature of his fatherland. He seeks counsel and aid.
He finds, on consulting the official treatises on that literature,
that its greatest poet was Longfellow. He is warned, reading More and
Babbitt, that the literatus who lets feeling get into his compositions
is a psychic fornicator, and under German influences. He has formal
notice from Sherman that Puritanism is the lawful philosophy of the
Public-domain text, read in full here on John Shaqi.
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