Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
country, and that any dissent from it is treason. He gets the news,
plowing through the New York _Times Book Review,_ the _Nation_ (so far
to the left in its politics, but hugging the right so desperately in
letters!) the _Bookman,_ the _Atlantic_ and the rest, that the salient
artists of the living generation are such masters as Robert Underwood
Johnson, Owen Wister, James Lane Allen, George E. Woodberry, Hamlin
Garland, William Roscoe Thayer and Augustus Thomas, with polite bows
to Margaret Deland, Mary Johnston and Ellen Glasgow. It slowly dawns
upon him that Robert W. Chambers is an academician and Theodore Dreiser
isn't, that Brian Hooker is and George Sterling isn't, that Henry
Sydnor Harrison is and James Branch Cabell isn't, that "Chimmie Fadden"
Townsend is and Sherwood Anderson isn't.
Is it any wonder that such a young fellow, after one or two sniffs
of that prep-school fog, swings so vastly backward that one finds
him presently in corduroy trousers and a velvet jacket, hammering
furiously upon a pine table in a Macdougal street cellar, his mind
full of malicious animal magnetism against even so amiable an old
maid as Howells, and his discourse full of insane hair-splittings
about _vers libre,_ futurism, spectrism, vorticism, _Expressionismus,
héliogabalisme?_ The thing, in truth, is in the course of nature.
The Spaniards who were outraged by the Palmerism of Torquemada did
not become members of the Church of England; they became atheists.
The American colonists, in revolt against a bad king, did not set up
a good king; they set up a democracy, and so gave every honest man a
chance to become a rogue on his own account. Thus the young literatus,
emerging from the vacuum of Ohio or Arkansas. An early success, as we
shall see, tends to halt and moderate him. He finds that, after all,
there is still a place for him, a sort of asylum for such as he, not
over-populated or very warmly-heated, but nevertheless quite real. But
if his sledding at the start is hard, if the corrective birch finds him
while he is still tender, then he goes, as Andrew Jackson would say,
the whole hog, and another voice is added to the raucous bellowing of
the literary Reds.
Public-domain text, read in full here on John Shaqi.
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