Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
If he turns to revolt, he is apt to put on a French hat and a
Russion red blouse. _The Little Review,_ the organ of the extreme wing
of _révoltés,_ is so violently exotic that several years ago, during
the plupatriotic days of the war, some of its readers protested. With
characteristic lack of humor it replied with an American number--and
two of the stars of that number bore the fine old Anglo-Saxon names of
Ben Hecht and Eisa von Freytag-Loringhoven.
This tendency of American literature, the moment it begins to show
enterprise, novelty and significance, to radiate an alien smell is not
an isolated phenomenon. The same smell accompanies practically all
other sorts of intellectual activity in the republic. Whenever one
hears that a new political theory is in circulation, or a scientific
heresy, or a movement toward rationalism in religion, it is always
safe to guess that some discontented stranger or other has a hand in
it. In the newspapers and on the floor of Congress a new heterodoxy is
always denounced forthwith as a product of foreign plotting, and here
public opinion undoubtedly supports both the press and the politicians,
and with good reason. The native culture of the country--that is,
the culture of the low caste Anglo-Saxons who preserve the national
tradition--is almost completely incapable of producing ideas. It is
a culture that roughly corresponds to what the culture of England
would be if there were no universities over there, and no caste of
intellectual individualists and no landed aristocracy--in other words,
if the tone of the national thinking were set by the non-conformist
industrials, the camorra of Welsh and Scotch political scoundrels,
and the town and country mobs. As we shall see, the United States has
not yet produced anything properly describable as an aristocracy, and
so there is no impediment to the domination of the inferior orders.
Worse, the Anglo-Saxon strain, second-rate at the start, has tended to
degenerate steadily to lower levels--in New England, very markedly.
The result is that there is not only a great dearth of ideas in the
land, but also an active and relentless hostility to ideas. The chronic
suspiciousness of the inferior man here has full play; never in modern
history has there been another civilization showing so vast a body of
prohibitions and repressions, in both conduct and thought. The second
result is that intellectual experimentation is chiefly left to the
immigrants of the later migrations, and to the small sections of the
native population that have been enriched with their blood. For such a
pure Anglo-Saxon as Cabell to disport himself in the field of ideas is
a rarity in the United States--and no exception to the rule that I have
just mentioned, for Cabell belongs to an aristocracy that is now almost
extinct, and has no more in common with the general population than
a Baltic baron has with the indigenous herd of Letts and Esthonians.
All the arts in America are thoroughly exotic.
Public-domain text, read in full here on John Shaqi.
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