But I am forgetting the like phenomena on the other side of the bloody chasm? I am overlooking the darker crimes of the celebrated German professors? Not at all. Those crimes against all reason and dignity, had they been committed in fact, would not be evidence in favor of the Americans in the dock: the principle of law is too well accepted to need argument. But I venture to deny them, and out of a very special and singular knowledge, for I seem to be one of the few Americans who has ever actually read the proclamations of the German professors: all the most indignant critics of them appear to have accepted second-hand accounts of their contents. Having suffered the onerous labor of reading them, I now offer sworn witness to their relative mildness. Now and then one encounters in them a disconcerting bray. Now and then one weeps with sore heart. Now and then one is bogged in German made wholly unintelligible by emotion. But taking them as they stand, and putting them fairly beside the corresponding documents of American vintage, one is at once struck by their comparative suavity and decorum, their freedom from mere rhetoric and fustian--above all, by their effort to appeal to reason, such as it is, rather than to emotion. No German professor, from end to end of the war, put his hand to anything as transparently silly as the Sisson documents. No German professor essayed to prove that the Seven Years' War was caused by Downing Street. No German professor argued that the study of English would corrupt the soul. No German professor denounced Darwin as an ignoramus and Lister as a scoundrel. Nor was anything of the sort done, so far as I know, by any French professor. Nor even by any reputable English professor. All such honorable efforts on behalf of correct thought in war-time were monopolized by American professors. And if the fact is disputed, then I threaten upon some future day, when the stealthy yearning to forget has arisen, to print my proofs in parallel columns--the most esteemed extravagances of the German professors in one column and the corresponding masterpieces of the American professors in the other.