Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
I do not overlook, of course, the self-respecting men who, in the
midst of all the uproar, kept their counsel and their dignity. A small
minority, hard beset and tested by the fire! Nor do I overlook the
few sentimental fanatics who, in the face of devastating evidence to
the contrary, proceeded upon the assumption that academic freedom was
yet inviolable, and so got themselves cashiered, and began posturing
in radical circles as martyrs, the most absurd of men. But I think I
draw a fair picture of the general. I think I depict with reasonable
accuracy the typical response of the only recognizable _intelligentsia_
of the land to the first great challenge to their aristocratic
aloofness--the first test in the grand manner of their freedom alike
from the bellicose imbecility of the plutocracy and the intolerable
fears and childish moral certainties of the mob. That test exposed them
shamelessly. It revealed their fast allegiance to the one thing that is
the antithesis of all free inquiry, of all honest hospitality to ideas,
of all intellectual independence and integrity. They proved that they
were correct--and in proving it they threw a brilliant light upon many
mysteries of our national culture.
10
_The Intolerable Burden_
Among others, upon the mystery of our literature--its faltering
feebleness, its lack of genuine gusto, its dearth of salient
personalities, its general air of poverty and imitation: What ails
the beautiful letters of the Republic, I repeat, is what ails the
general culture of the Republic--the lack of a body of sophisticated
and civilized public opinion, independent of plutocratic control
and superior to the infantile philosophies of the mob--a body of
opinion showing the eager curiosity, the educated skepticism and the
hospitality to ideas of a true aristocracy. This lack is felt by the
American author, imagining him to have anything new to say, every day
of his life. He can hope for no support, in ordinary cases, from the
mob: it is too suspicious of all ideas. He can hope for no support
from the spokesmen of the plutocracy: they are too diligently devoted
to maintaining the intellectual _status quo._ He turns, then, to
the _intelligentsia_--and what he finds is correctness! In his two
prime functions, to represent the life about him accurately and to
criticize it honestly, he sees that correctness arrayed against him.
His representation is indecorous, unlovely, too harsh to be borne. His
criticism is in contumacy to the ideals upon which the whole structure
rests. So he is either attacked vigorously as an anti-patriot whose
babblings ought to be put down by law, or enshrouded in a silence which
commonly disposes of him even more effectively.
Public-domain text, read in full here on John Shaqi.
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