Prejudices, third seriesMencken, H. L. (Henry Louis)
History
Prejudices, third series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
All the while I have been forgetting the third of my reasons for
remaining so faithful a citizen of the Federation, despite all the
lascivious inducements from expatriates to follow them beyond the
seas, and all the surly suggestions from patriots that I succumb.
It is the reason which grows out of my mediæval but unashamed taste
for the bizarre and indelicate, my congenital weakness for comedy of
the grosser varieties. The United States, to my eye, is incomparably
the greatest show on earth. It is a show which avoids diligently all
the kinds of clowning which tire me most quickly—for example, royal
ceremonials, the tedious hocus-pocus of _haut politique_, the taking
of politics seriously—and lays chief stress upon the kinds which
delight me unceasingly—for example, the ribald combats of demagogues,
the exquisitely ingenious operations of master rogues, the pursuit
of witches and heretics, the desperate struggles of inferior men
to claw their way into Heaven. We have clowns in constant practice
among us who are as far above the clowns of any other great state as
a Jack Dempsey is above a paralytic—and not a few dozen or score of
them, but whole droves and herds. Human enterprises which, in all
other Christian countries, are resigned despairingly to an incurable
dullness—things that seem devoid of exhilarating amusement by their
very nature—are here lifted to such vast heights of buffoonery that
contemplating them strains the mid-riff almost to breaking. I cite an
example: the worship of God. Everywhere else on earth it is carried
on in a solemn and dispiriting manner; in England, of course, the
bishops are obscene, but the average man seldom gets a fair chance to
laugh at them and enjoy them. Now come home. Here we not only have
bishops who are enormously more obscene than even the most gifted of
the English bishops; we have also a huge force of lesser specialists in
ecclesiastical mountebankery—tin-horn Loyolas, Savonarolas and Xaviers
of a hundred fantastic rites, each performing untiringly and each full
of a grotesque and illimitable whimsicality. Every American town,
however small, has one of its own: a holy clerk with so fine a talent
for introducing the arts of jazz into the salvation of the damned that
his performance takes on all the gaudiness of a four-ring circus, and
the bald announcement that he will raid Hell on such and such a night
is enough to empty all the town blind-pigs and bordellos and pack
his sanctuary to the doors. And to aid him and inspire him there are
traveling experts to whom he stands in the relation of a wart to the
Matterhorn—stupendous masters of theological imbecility, contrivers
of doctrines utterly preposterous, heirs to the Joseph Smith, Mother
Eddy and John Alexander Dowie tradition—Bryan, Sunday, and their like.
These are the eminences of the American Sacred College. I delight in
them. Their proceedings make me a happier American.
Public-domain text, read in full here on John Shaqi.
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