Prejudices, third seriesMencken, H. L. (Henry Louis)
History
Prejudices, third series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
so great that even in our age it is at the bottom of fully a half of
the kindliness, romanticism and humane sentimentality that survive in
Christendom. It is worth a million syllogisms.
Once, after plowing through sixty or seventy volumes of bad verse, I
described myself as a poetry-hater. The epithet was and is absurd. The
truth is that I enjoy poetry as much as the next man—when the mood
is on me. But what mood? The mood, in a few words, of intellectual
and spiritual fatigue, the mood of revolt against the insoluble
riddle of existence, the mood of disgust and despair. Poetry, then,
is a capital medicine. First its sweet music lulls, and then its
artful presentation of the beautifully improbable soothes and gives
surcease. It is an escape from life, like religion, like enthusiasm,
like glimpsing a pretty girl. And to the mere sensuous joy in it, to
the mere low delight in getting away from the world for a bit, there
is added, if the poetry be good, something vastly better, something
reaching out into the realm of the intelligent, to wit, appreciation
of good workmanship. A sound sonnet is almost as pleasing an object
as a well-written fugue. A pretty lyric, deftly done, has all the
technical charm of a fine carving. I think it is craftsmanship that
I admire most in the world. Brahms enchants me because he knew
his trade perfectly. I like Richard Strauss because he is full of
technical ingenuities, because he is a master-workman. Well, who ever
heard of a finer craftsman than William Shakespeare? His music was
magnificent, he played superbly upon all the common emotions—and he
did it magnificently, he did it with an air. No, I am no poetry-hater.
But even Shakespeare I most enjoy, not on brisk mornings when I feel
fit for any deviltry, but on dreary evenings when my old wounds are
troubling me, and some fickle one has just sent back the autographed
set of my first editions, and bills are piled up on my desk, and I am
too sad to work. Then I mix a stiff dram—and read poetry.
VIII. FIVE MEN AT RANDOM
1
_Abraham Lincoln_
Public-domain text, read in full here on John Shaqi.
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