(76.) _Phenomena_, then, or appearances, as the word is literally rendered, are the sensible results of processes and operations carried on among external objects, or their constituent principles, of which they are only signals, conveyed to our minds as aforesaid. Now, these processes themselves may be in many instances rendered _sensible_; that is to say, analysed, and shown to consist in the motions or other affections of sensible objects themselves. For instance, the phenomenon of the sound produced by a musical string, or a bell, when struck, may be shown to be the result of a process consisting in the rapid vibratory motion of its parts communicated to the air, and thence to our ears; though the immediate effect on our organs of hearing does not excite the least idea of such a motion. On the other hand, there are innumerable instances of sensible impressions which (at least at present) we are incapable of tracing beyond the mere sensation; for example, in the sensations of bitterness, sweetness, &c. These, accordingly, if we were inclined to form hasty decisions, might be regarded as ultimate qualities; but the instance of sounds, just adduced, alone would teach us caution in such decisions, and incline us to believe them mere results of some secret process going on in our organs of taste, which is too subtle for us to trace. A simple experiment will serve to set this in a clearer light. A solution of the salt called by chemists _nitrate of silver_, and another of the _hyposulphite of soda_, have each of them separately, when taken into the mouth, a disgustingly bitter taste; but if they be mixed, or if one be tasted before the mouth is thoroughly cleared of the other, the sensible impression is that of intense sweetness. Again, the salt called _tungstate of soda_ when first tasted is sweet, but speedily changes to an intense and pure bitter, like quassia.[29]