Children's stories; Christian life -- Juvenile fiction; Didactic fiction; Domestic fiction; Pride and vanity -- Juvenile fiction
“Your wife,” he would whisper to the earl, “with all her talents, and
all her charms, is ill fitted for the station which she holds. She has
not the dignity, the stateliness of mien which would beseem the lady of
Dashleigh Hall. She has vulgar tastes, vulgar friends, vulgar amusements.
Her very dress is not such as becomes the wife of a peer of the realm.
She is giddy, fantastic, and vain, and altogether devoid of a due sense
of your condescension in placing her at the head of your splendid
establishment. Your choice has been a mistake.”
Then the spirit of mischief would breathe out his treason to Annabella:
“Your husband, if superior to you in descent, you have now discovered to
be so in no single other point. He has neither your wit nor your spirit.
He is rather a weak, though an obstinate man, and thinks much more than
common-sense warrants of what has been called ‘the accident of birth.’
Have you not much more reason to exult in belonging to the aristocracy
of talent, than that of mere rank like him? Do you glory in the name of
Countess as you do in that of ‘Egeria,’ by which alone you are known to
reading thousands?”
Having thus given my readers a glimpse of “the skeleton in the house”
where all appears outwardly so full of enjoyment, I will take up my
thread where I laid it down, and return to the drawing-room of Dashleigh
Hall.
Dr. Bardon, as we have seen, had been restored to good humour by the
tact and attentions of the countess, and Cecilia exhausted all her
superlatives in admiration of everything that she saw. The conversation
flowed pleasantly between Annabella and the doctor, for Bardon was
a well read and intelligent man, and literature was the countess’s
passion. Cecilia, however, found the discourse assuming too much of the
character of a _tête-a-tête_, and not being content to remain exclusively
a listener, watched eagerly for an opportunity to drop in her little
contribution to “the feast of reason and the flow of soul.”
“Yes, the world is much like a library,” said Annabella, in reply to an
observation from the doctor, “but most persons enter it rather to give a
superficial glance at the binding of the books, than to make themselves
masters of the contents.”
“They are satisfied if the gilding lie thick enough on the backs of the
tomes,” said the doctor.
“But what a deep, what a curious study would every character be, if
we could read it through from beginning to end (skipping the preface,
of course, for school-boys and school-girls are objects of natural
aversion). What romances would some lives disclose—while others would
offer the most forcible sermons that ever were written. What exquisite
beauty, what touching poetry we might find in the daily course of some
whom now we regard with little attention!”
“Your lovely Cousin Ida, for instance,” chimed in Cecilia, trying to
catch the tone of the conversation, “I always think of her as a living
poem!”
Public-domain text, read in full here on John Shaqi.
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