Children's stories; Christian life -- Juvenile fiction; Didactic fiction; Domestic fiction; Pride and vanity -- Juvenile fiction
“If Ida be a poem,” said Annabella rather coldly, “she is certainly one
in blank verse,—a new version of ‘Young’s Night Thoughts,’ exceedingly
admirable and sublime!”
The countess had always professed herself attached to her cousin, with
whom she had from childhood interchanged a thousand little tokens
of affection. She would have done much to promote the happiness
of Ida, or to avert from her any real sorrow, and yet—strange
contradiction—Annabella never liked to hear warm praise of her friend.
It almost appeared as though the countess considered the admiration
accorded to her beautiful cousin as so much subtracted from herself. When
just commendation of another excites an uneasy sensation in our minds,
we need no supernatural power to recognise in it the fretting jar of the
jealous chain which pride has fixed on our souls.
Annabella was also at this time a little displeased with her cousin.
Ida Aumerle, from motives of delicacy which the reader will understand
though the countess could not, had declined repeated invitations to pay
a long visit to Dashleigh Hall. Annabella, who was eager to show her new
possessions to the friend of her youth, was hurt at what appeared to her
to be coldness, if not unkindness. To be _easily offended_ is one of the
most indubitable marks of pride, and from this Annabella was certainly
not free.
While the preceding conversation was proceeding in the drawing-room,
a horseman, attended by a groom, rode up to the entrance of Dashleigh
Hall. He was a man who had scarcely yet reached the meridian of life.
His figure was graceful, though affording small promise of physical
strength; his features well-formed, and of almost feminine delicacy,
though the prevailing expression which sat upon them was one of conscious
superiority,—now softening into condescension, now, at any real or
imagined affront, rising into that of offended dignity.
Reginald, Earl of Dashleigh—for this was he—seemed, figuratively
speaking, never to be out of the cumbersome robes in which, on state
occasions, he appeared as a peer of the realm. Whether he mingled in
society, or conversed alone with his wife, proffered hospitality,
or received it, he appeared to feel the weight of a coronet always
encircling his brow. The question which he asked himself before entering
upon any line of action, was less whether it were right or wrong, prudent
or foolish, as whether it were worthy of Reginald, twelfth Earl of
Dashleigh. Pride had kept the young nobleman from many of the vices and
follies of his age; pride had prevented him from doing anything that
might injure his character in the eyes of the world, and had led him to
do many things which gained for him popular applause; but pride, at the
best, is but a miserable substitute for a higher principle of action; its
fruits may appear fair to the eye, but are dust and corruption within.
Public-domain text, read in full here on John Shaqi.
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