Art, Prehistoric; Folk literature -- History and criticism
Fig. 252 represents another painting which is placed over the door
of a Kwakiutl house-front. It represents a whale. In this specimen
are found a number of deviations from the supposed standard. Below is
the tail (1), with the flukes (2). While the double curvature on the
inner side of the flukes is preserved, there is only one joint design
instead of the normal two. The design (3) on each side represents the
fins. According to the standard these ought to be round, but they
are actually sharply pointed like wing feathers. This may be due to
the prevailing tendency of showing the middle feathers as round, and
letting the extreme lateral ones run into a long point which closes
off the design more effectively than a round form would. Over the tail
will be noticed the long mouth and the nose with its sudden turn.
The line (4) indicates the strong curve which sets off the nose from
the forehead. This is analogous to the treatment of the nose among
the Haida. (5) represents the shoulder joint. The scallops under the
eyes are the cheekbones. Over the eyes are the ears (6), over the
forehead rises the dorsal fin with a single joint. Normally the eyes
of the whale are round and the person who explained the design called
particular attention to the fact that in this painting they had not the
standard form.
[Illustration: Fig. 252. Painting for a house-front representing a
whale, Kwakiutl.]
Fig. 253 is another house-painting of the Kwakiutl, representing the
raven. The same principle as in fig. 251 has been adhered to by the
artist. The central portion of the figure is occupied by the head of
the raven split from its lower side upward so that the two halves
cohere along the upper edge of the beak. The two halves of the head
have been folded outward, so that the two halves of the tongues (2)
and the two lower jaws (1) appear on each side of the central line.
The two halves of the lower side of the body are shown extending in a
curved line (3) from the corners of the mouth towards the tail, which
latter has not been cut. The wings have been considerably reduced in
size, and pulled upward so that they appear over each upper corner of
the head. The legs (5) occupy the right and left lower parts of the
painting, the feet (4) being disconnected from the thin legs.
[Illustration: Fig. 253. Painting for a house-front representing a
raven, Kwakiutl.]
[Illustration: Fig. 254. Painting from the edge of a blanket
representing a sea-monster, Northern British Columbia.]
Public-domain text, read in full here on John Shaqi.
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