Art, Prehistoric; Folk literature -- History and criticism
Judging from the general application of this design, it is quite
obvious that it is not primarily a feather design, but that it is a
decorative element used throughout in certain definite positions for
the purpose of filling in.
Flat black curves are used quite often for indicating the teeth. These
may be observed in fig. 269 _a_, on the body of fig. 270 _a_, in the
lowest face in fig. 204, in the lower faces of fig. 271.
* * * * *
We have discussed before the adjustment of animal form to the
decorative field. The adjustment is not by any means free, but
definite, stylistic forms may be recognized. These appear with great
clarity on the Chilkat blankets.
The measurements of the blankets show that the central height is
very nearly one half of the width. The width of the narrow border,
consisting of a black and yellow stripe, is about one twelfth of the
total width. The angle of the lower border is quite variable, the
vertical distance from a line connecting the lower corners of the
blanket to its greatest depth is generally a little less than one sixth
of the width. The fundamental trait of the blanket pattern is the
division of the field into three panels. The central one about double
the width of the lateral ones, or more. In most blankets the line of
division of these fields is quite clear and is indicated by black and
white lines. The designs on the lateral fields are symmetrical and
quite distinct from the central field.
[Illustration: Fig. 267. Schematic design showing the arrangement of
the central field of the Chilkat blanket.]
[Illustration: Fig. 268. General plans of Tlingit blankets.]
The blankets may be divided into two large groups. Their fundamental
patterns are indicated schematically in fig. 267. The one design is
clearly a representation of an animal with a large head which occupies
the whole upper part of the field down to an almost straight cross
line (fields 1, 2, 5, fig. 268). Under it are the body (field 3) and
in the lower border the tail and hips (field 4) of the animal. It may
be noticed that there are always two tail joints, although in other
cases the use of a single tail joint for birds and a double tail joint
for sea mammals is fairly consistent. Fields 6, 7, and 8 are used in
various ways. They are not essential parts of the animal represented,
although field 6 may be utilized for the purpose of showing parts of
the back, and field 7 may be utilized for a representation of the fore
arms. In this style we may distinguish, in the wide center, a central
stripe, consisting of the elements numbered 6, 2, 3, 4 and two lateral
stripes 5, 1, 7, and 8. Generally these sections interlock. In a few
specimens, the outer limits of field 3 are carried down to the lower
border so that they form a continuous broad line with the outer limits
of field 4.
[Illustration: Fig. 269. Chilkat blankets.]
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