Examples of this type are shown in figs. 202 and 269. In these the animal figure in the center appears very clearly. It will be noticed that the large eyes of the animal have always a cheek design attached to them. These appear also in fig. 203, a blanket belonging to the same class, the lower part of which is, however, much less distinctively body and tail belonging to the large head. The reduction of field 7 and its extension to the lower margin is rare in other specimens. In fig. 202 field 7 is occupied by the raised hands of the animal, while in fig. 269 _a_ it is occupied by a wing design. The rectangular frame surrounding the body in fig. 269 _b_ is an exceptional feature which I have seen only in one other modern blanket. [Illustration: Fig. 270. Chilkat blankets.] A sub-type may be distinguished in which the lower part is treated differently (fig. 270 _a_). The two eyes of field 4 are of the same size as those of field 1. In this way a more symmetrical impression is produced, but at the expense of the unity of the animal form. This treatment lends itself to a sharper separation of the fields 5, 1, 7, 8 against the fields 6, 2, 3, 4 so that the whole central field seems to be divided into three sections (see fig. 204). Fig. 270 _a_ is decidedly influenced by the second type of blanket; the four eyes being approximately of the same size and symmetrically arranged around a central face. The fundamental feature of the second type of blankets is a central face placed a little higher than in the preceding type, so that it forms exactly the center of the whole field. In place of the large eyes on top, we find two large inverted eyes, often without the adjoining jaw design. In many cases two small circular patterns, or small eye designs, occupy the center of the lower border. These may often be identified with the nostril of the head to which the two large lower eyes belong. This pattern is much more symmetrical than the former type, but its symbolism is much more obscure. I presume that the inverted position of the eye in the upper border is essentially due to the attempt to obtain greater symmetry. For an explanation it is necessary that the upper eyes must be viewed as some part of the body that is turned upside down. Characteristic examples of this type are shown in figs. 103 and 271. In these, the fields to the right and left of the central face are treated, in the former, as a profile face; in the second they are decorated with a feather design filler. A somewhat different treatment is given in fig. 272 which may be compared with fig. 270. In both a large face occupies the center of the whole design, surrounded by the four large eyes and the lateral spaces filled with feather designs. [Illustration: Fig. 271. Chilkat blankets.] [Illustration: Fig. 272. Chilkat blanket.]