In fig. 273 the upper eyes have been moved towards the center and the eye design has been expanded into a profile which occupies the whole upper margin of the central field. In fig. 273 _b_ the lateral fields next to the central face are occupied by the two sides of the dorsal fin so that here the form of a whale is brought out fairly clearly. [Illustration: Fig. 273. Chilkat blankets.] The general scheme of the narrow lateral panels is also quite definite. We find on practically all the blankets an eye design,—part of the profile of an animal’s head,—in the upper, outer corner, another eye design near the lower border, generally approximately in the middle of the lateral field. The position of the lower eye design is much more irregular than that of the upper one. In general we are given the impression of an animal, the body of which extends along the extreme outer border of the blanket, the head occupying the centre of the panel, while the feet or tail are shown along the lower border. In this way a space is left in the middle, next to the central panel, which does not belong essentially to the form of the animal. In both fundamental types the intervening spaces which are not filled by the large eye designs, the body, tail, and extremities, are filled with a variety of patterns which depend only in part upon the selection of the animal to be represented, but are very largely determined by esthetic considerations. [Illustration: Fig. 274. Front, reverse and side of a painted box.] [Illustration: Fig. 275. Painted and carved box front.] [Illustration: Fig. 276. Four sides of a painted box, Tlingit.]