In figure 41[35] we have another band which consists of diagonal patterns framed by red lines except in one place where a black frame is found. As on the preceding specimen the black serves to separate the red and yellow. The design is the same all through, and the order of the elements as follows: [35] Ibid, p. 67, fig. 6. yellow red yellow brown yellow black frame black zig-zag red frame red zig-zag red frame blue-green yellow purple red zig-zag red frame red zig-zag In other words the essential sequence is yellow, red, yellow, brown, yellow, blue-green, yellow, purple; a series of eight elements. [Illustration: Fig. 42. Peruvian fabric.] In figure 42 we find a border of simple interlocking S shaped designs in the order, white, dark blue, light blue, yellow, brown; a series of five elements which are repeated regularly. [Illustration: Fig. 43. Peruvian fabric.] Figure 43 represents a part of a design on a poncho in which, from above downward we have a series of six pairs of a fret design in the following arrangement: green, red yellow, blue white, purple yellow, brown light red, black the sixth line repeats the color sequence of the first. Figure 44 is a somewhat complicated design which is not completely shown in the section here represented. The principle of the pattern is illustrated in figure 44_b_. The sequence of color of the S shaped head design is purple, yellow, green, on a red background. In figure 45 we have a decorative band with the color sequence yellow, green, yellow, green, light yellow, white, yellow, green, yellow; obviously a series of six units. The designs on the background of these colors are all in red. [Illustration: _b_] [Illustration: Fig. 44. Peruvian fabric.] [Illustration: Fig. 45. Peruvian fabric.] [Illustration: Fig. 46. Peruvian fabric.] In figure 46 a border is shown which has the color arrangement, from left to right: pink—black, red—yellow, light gray—dark gray, black—pink, yellow—red, dark gray—light gray. In this specimen there is a systematic inversion of color values; what is light in the first set of three is dark in the second three. This tendency is quite marked in a considerable number of cases. We have for instance, a series of white, red, yellow;—gray, pink, yellow, where the white corresponds to the dark gray and the red to the light pink.