Art, Prehistoric; Folk literature -- History and criticism
Piling up of identical or similar forms occurs in nature as often as
lateral symmetry. Plants with their vertical succession of leaves,
branches of trees, piles of stones, ranges of mountains rising behind
one another, may suggest vertical arrangements of similar elements.
However, much more common are repetitions in horizontal bands; of
simple arrangements of single strokes in rows; and of complicated
successions of series of varied figures that recur in regular order
(fig. 48, Plate V).
It follows from what has been said before that the forms here discussed
are not expressive of specific emotional states and in this sense
significant.
This conclusion may be corroborated by a further examination of
decorative forms.
[Illustration: PLATE V.
Kumiss Goblets of the Yakut.]
We have already indicated that the artistic value of an object is not
due to the form alone, but that the method of manufacture gives to the
surface an artistic quality, either through its smoothness or through a
patterning that results from the technical processes employed. However,
the treatment of the surface is not controlled solely by technical
processes. We may observe that in the art products of people the world
over other elements occur that are due to the attempt to emphasize the
form.
[Illustration: Fig. 48. Pottery vessels: _a_ Finland; _b_ Ica, Peru.]
The application of marginal patterns is one of the most common methods
employed for this purpose. In many cases these are technically
determined. When, for instance, a woven basket is finished off, it
is necessary to fasten the loose strands and this leads generally to
a change of form and surface pattern in the rim. The strands may be
turned down, wrapped and sewed together, they may be braided, or woven
together and left standing as a fringe. In a bark basket the rim must
be strengthened by a band, to prevent splitting of the bark, and the
band and the sewing set off the rim from the body. A thin metal disk
may have to be strengthened by rolling in the outer rim.
[Illustration: Fig. 49. Birchbark vessels; _a_, _b_, Amur River; _c_,
Shuswap; _d_, _e_, Alaska.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account