Art, Prehistoric; Folk literature -- History and criticism
Our much admired scientific training has never proved a safeguard
against the seductiveness of emotional appeals, just as little as
it has prevented the acceptance as gospel truth of the grossest
absurdities, if presented with sufficient energy, self assertion and
authority. If anything, the late war with its organized governmental
and private propaganda should make us understand this truth. Opinions
energetically propagated and spurious facts diligently disseminated
color the thinking of the people, and not only of the uneducated. The
intellectual is deceived as easily as the untutored by sanctimonious
professions that conform to the moral code of time and place and
flatter the feeling of self-righteousness. They gloss over the conflict
of deed and word and, when uttered by those in authority, make
criminals appear like saints.
Our advantage over primitive people is one of greater knowledge of the
objective world, painfully gained by the labor of many generations, a
knowledge which we apply rather badly and which we, or at least most of
us, discard just as soon as a strong emotional urge impels us to do so,
and for which we substitute forms quite analogous to those of primitive
thought.
The much maligned introspective psychology proves to the unbiased
observer that the causes that make primitive man think as he does, are
equally present in our minds. The particular behavior in each case
is determined by the traditional knowledge at the disposal of the
individual.
* * * * *
The second fundamental point to be borne in mind is that each culture
can be understood only as an historical growth determined by the
social and geographical environment in which each people is placed
and by the way in which it develops the cultural material that comes
into its possession from the outside or through its own creativeness.
For the purpose of an historical analysis we treat each particular
problem first of all as a unit, and we attempt to unravel the threads
that may be traced in the development of its present form. For this
reason we may not start our inquiries and interpretations, as though
the fundamental thesis of a single unilineal development of cultural
traits the world over, of a development that follows everywhere the
same lines, had been definitely proven. If it is claimed that culture
has run such a course, the assertion must be proven on the basis of
detailed studies of the historical changes in single cultures and by
the demonstration of analogies in their development.
It is safe to say that the critical study of recent years has
definitely disproved the existence of far-reaching homologies which
would permit us to arrange all the manifold cultural lines in an
ascending scale in which to each can be assigned its proper place.
Public-domain text, read in full here on John Shaqi.
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