Art, Prehistoric; Folk literature -- History and criticism
On the other hand dynamic conditions exist, based on environment,
physiological, psychological, and social factors, that may bring forth
similar cultural processes in different parts of the world, so that it
is probable that some of the historical happenings may be viewed under
more general dynamic viewpoints.
But historical data are not available and when prehistoric research
does not reveal sequences of cultural changes, the only available
method of study is the geographical one, the study of distribution.
This has been emphasized in the last third of the past century by
Friedrich Ratzel. It has probably been most rigidly developed in the
United States. I illustrated this method in 1891 by a study of the
distribution of folk-tales in North America[2] and it has become more
and more the method of analytical study of cultural forms.
[2] Journal of American Folk-Lore, Vol. IV, pp. 13-20; also Science,
Vol. XII (1888), pp. 194-196.
Its very fruitfulness, however, has led to extremes in its application
that should be guarded against. I pointed out, in print in 1911 and
often before and since that time in speaking, that there is a certain
homology between universal distribution of cultural facts and their
antiquity. The fundamental principle involved in this assumption was
fully discussed by Georg Gerland in 1875,[3] although we are hardly
ready to accept his conclusions. The data of prehistoric archaeology
prove that some of these universal achievements go back to paleolithic
times. Stone implements, fire and ornaments are found in that period.
Pottery and agriculture, which are less universally distributed, appear
later. Metals, the use of which is still more limited in space, are
found still later.
[3] Anthropologische Beiträge, Halle a/S, pp. 401 et seq.
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