27 Read _okitsu nami no kata yori ni yosekuru sono tamamo_, the seaweed that the ocean waves fling shorewards. 38 making our sleeves flutter as we ply the sculls. 51 when spring comes forth. For _ashihikino_, _shirotaheno_ see List m. k. 221 Yakamochi. Tachiyama no uta hitotsu [kono yama ha Arakaha no kohori ni ari]. Amazakaru 1 hina ni na kakasu Koshi no naka kunuchi kotogoto yama ha shi mo 5 shizhi ni aredomo kaha ha shi mo saha ni yukedomo sume kami no ushi-haki imasu 10 Nihi kaha no sono Tachi yama ni tokonatsu ni yuki furi shikite obaseru 15 Katakahi kaha no kiyoki se ni asa yohi goto ni tatsu kiri no omohi sugime ya 20 arigayohi iya toshi no ha ni yoso nomi mo furi-sake mitsutsu yorodzu yo no 25 katarahi-gusa to imada minu hito ni no tsugemu oto nomi mo na nomi mo kikite 30 tomoshiburugane. 2 _na kakasu Koshi_--_Koshi_, that answers to its name; _koshi_ = _kosu_, to cross (the hills)--referring to the situation of the province with regard to City-Royal. 4 _kunuchi_, _kuni uchi_. 13 _tokonatsu_ = _hisashiku nodoka_ (Keichiu). 22 as years run on. 26 = _katarahi-tane_, ‘seed’, or subject, or matter of discourse, narrative, &c. 31 = _urayamashigaru tame ni_. For _amazakaru_ see List m. k. 222 Ikenushi. Tachiyama no uta ni kotahe-mawosu uta. Asahisashi 1 so-gahi ni miyuru kamu nagara mi na ni ohaseru shirakumono 5 chihe wo oshiwake ama sosori takaki Tachi yama fuyu natsu to waku koto mo naku 10 shirotaheni yuki ha furi-okite inishihe yu ari-ki nikereba kogoshi ka mo 15 iha no kamusabi tamakiharu iku yo he nikemu tachite wite miredomo ayashi 20 mine-dakami tani wo fukami to ochi-tagitsu kiyoki kafuchi ni asa sarazu 25 kiri tachi-watari yufu sareba kumo wi-tanabiki kumowinasu kokoro mo shinu ni 30 tatsukirino omohi sugusazu yuku midzu no oto mo sayakeku yorodzu yo ni 35 ihi-tsugi yukamu kaha shi tayezuba. 1-14 description of Tachi-yama; 15-28 its beauty and majesty; 29 to end its effect upon the beholder. 1 m. k. of _sogahi_ (see glossary)--_so-gahi ni miyuru_, seen from back (of house or _tachi_ of Ikenushi?). The m. k. is used in reference to the dazzling brightness of the morning sun necessitating one’s turning (_kahi_) one’s back (_so_) to it. I am not, however, satisfied with this explanation. For _asahisashi_, _shirakumono_, _tamakiharu_, _kumowinasu_, _tatsukirino_ see List m. k. 223 Yakamochi. Miyako ni yaya chikaku mawiramu koto kanashimi no kokoro harahi-gatakute omohi wo noburu uta.