"The true gods sigh for the cost and pain,--
For the reed that grows nevermore again
As a reed with the reeds in the river."
CHAPTER III.
NINA.
One morning Lionel was just about to go out (he had already been round
to the gymnasium and got his fencing over) when the house-porter came up
and said that a young lady wished to see him.
"What does she want?" he said, impatiently--for something had gone wrong
with the clasp of his cigarette-case, and he could not get it right.
"What's her name? Who is she?"
"She gave me her name, sir; but I did not quite catch it," said the
factotum of the house.
"Oh, well, send her up," said he; no doubt this was some trembling
_debutante_, accompanied by an ancient duenna and a roll of music. And
then he went to the window, to try to get the impenitent clasp to shut.
But perhaps he would not have been so wholly engrossed with that
trifling difficulty had he known who this was who had come softly up the
stair and was now standing, irresolute, smiling, wondering, at the open
door. She was a remarkably pretty, even handsome young lady, whose pale,
clear, olive complexion and coal-black hair bespoke her Southern birth;
while there was an eager and yet timid look in her lustrous, soft black
eyes, and something about the mobile, half-parted mouth that seemed to
say she hardly knew whether to cry or laugh over this meeting with an
old friend. A very charming picture she presented there; for, besides
her attractive personal appearance, she was very neatly, not to say
coquettishly, dressed, her costume, which had a distinctly foreign air,
being all of black, save for the smart little French-looking hat of deep
crimson straw and velvet.
At last she said,
"Leo!"
He turned instantly, and had nearly dropped the cigarette-case in his
amazement. And for a second he seemed paralyzed of speech--he was wholly
bewildered--perhaps overcome by some swift sense of responsibility at
finding Antonia Rossi in London, and alone.
"Che, Nina mia," he cried; "tu stai cca a Londra!--chesta mo, chi su
credeva!--e senza manca scriverme nu viers' e lettere--Nina!--mi pare nu
suonno!--"
She interrupted him; she came forward, smiling--and the parting of the
pretty lips showed a sunny gleam of teeth; she held up her two hands,
palm outwards, as if she would shut away from herself that old, familiar
Neapolitanese.
"No, no, no, Leo," she said, rapidly, "I speak English now--I study,
study, study, morning, day, night; and always I say, 'When I see Leo, he
have much surprise that I speak English'--always I say, 'Some day I go
to England, and when I see Leo'--"
The happy, eager smile suddenly died away from her face. She looked at
him. A strange kind of trouble--of doubt and wonderment and pain--came
into those soft, dark, expressive eyes.
"You--you not wish to see me, Leo?" she said, rather breathlessly--and
as if she could hardly believe this thing. "I come to London--and you
not glad to see me--"
Public-domain text, read in full here on John Shaqi.
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