Quick tears of wounded pride sprang to the long black lashes; but, with
a dignified, even haughty inclination of the head, she turned from him
and put her hand on the handle of the door. At the same instant he
caught her arm.
"Why, Nina, you're just the spoiled child you always were! Ah, your
English doesn't go so far as that; you don't know what a spoiled child
is?--_e la cianciosella_, you Neapolitan girl! Why, of course I'm glad
to see you--I am delighted to see you--but you frightened me, Nina--your
coming like this, alone--"
"I frighten you, Leo?" she said, and a quick laugh shone brightly
through her tears. "Ah, I see--it is that I have no chaperon? But I had
no time--I wished to see you, Leo--I said, 'Leo will understand, and
afterwards I get a chaperon all correctly.' Oh, yes, yes, I know--but
where is the time?--yesterday I go through the streets--it is Leo, Leo
everywhere in the windows--I see you in this costume, in the other
costume--and your name so large, so very large, in the--in the--"
"The theatre-bills? Well, sit down, Nina, and tell me how you come to be
in London."
She had by this time quite forgiven or forgotten his first dismay on
finding her there; and now she took a chair with much quiet
complaisance, and sat down, and put her black silk sunshade across her
knees.
"It is simple," she said, and from time to time she regarded him in a
very frank and pleased and even affectionate way, as if the old
comradeship of the time when they were both studying in Naples was not
to be interfered with by the natural timidity of a young and extremely
pretty woman coming as a stranger into a strange town. "You remember
Carmela, Leo? Carmela and her--her spouse--they have great
good-fortune--they get a grand prize in the lottery--then he says,
'Carmeluccia, we will go to Paris--we will go to Paris, Carmeluccia--and
why not Nina also?' Very kind, was it not?--but Andrea is always kind, so
also Carmela, to me. Then I am in Paris. I say, 'It is not far to
London; I go to London; I go to London and see Leo.' Perhaps I get an
engagement--oh, no, no, no, you shall not laugh!" she broke in--though
it was she herself who was laughing, and not he at all. "I am
improved--oh, yes, a little--a little improved--you remember old
Pandiani he always say my voice not bad, but that _agilita_ was for me
very difficult."
Public-domain text, read in full here on John Shaqi.
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