Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
The use of fictions, the imaginative use of them rather, is not
a way of hoodwinking ourselves. It is not a process of pretending
to ourselves that things are not as they are. It is perfectly
compatible with the fullest and grimmest recognition of the exact
state of affairs on all occasions. It is no make-believe. But
so awkwardly have our references and our attitudes become entangled
that such pathetic spectacles as Mr Yeats trying desperately
to believe in fairies or Mr Lawrence impugning the validity of
solar physics, are all too common. To be forced by desire into
any unwarrantable belief is a calamity. The state which ensues
is often extraordinarily damaging to the mind. But this common
misuse of fictions should not blind us to their immense services
provided we do not take them for what they are not, degrading
the chief means by which our attitudes to actual life may be
adjusted into the material of a long-drawn delirium[96].
If we knew enough it might be possible that all necessary attitudes
could be obtained through scientific references alone. Since
we do not know very much yet, we can leave this very remote possibility,
once recognised, alone.
Fictions whether aroused by statements or by analogous things
in other arts may be used in many ways. They may be used, for
example, to deceive. But this is not a characteristic use in
poetry. The distinction which needs to be kept clear does not
set up fictions in opposition to verifiable truths in the scientific
sense. A statement may be used for the sake of the _reference_,
true or false, which it causes. This is the _scientific_
use of language. But it may also be used for the sake of the
effects in emotion and attitude produced by the reference it
occasions. This is the _emotive_ use of language. The distinction
once clearly grasped is simple. We may either use words for the
sake of the references they promote, or we may use them for the
sake of the attitudes and emotions which ensue. Many arrangements
of words evoke attitudes without any reference being required
_en route_. They-operate like musical phrases. But usually
references are involved _as conditions_ for, or _stages
in_, the ensuing development of attitudes, yet it is still
the attitudes not the references which are important. It matters
not at all in such cases whether the references are true or false.
Their sole function is to bring about and support the attitudes
which are the further response. The questioning, verificatory
way of handling them is irrelevant, and in a competent reader
it is not allowed to interfere. “Better a plausible impossibility
than an improbable possibility” said Aristotle very wisely; there
is less danger of an inappropriate reaction.
Public-domain text, read in full here on John Shaqi.
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