Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New York — John Shaqi
Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New YorkSlater, John Rothwell
History
Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New York
Slater, John Rothwell
Printing -- History -- Origin and antecedents; Renaissance
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PRINTING AND THE RENAISSANCE
[Illustration]
PRINTING AND THE RENAISSANCE: A PAPER READ BEFORE THE FORTNIGHTLY CLUB
OF ROCHESTER NEW YORK BY JOHN ROTHWELL SLATER.
[Illustration]
NEW YORK
William Edwin Rudge
1921
PRINTING AND THE RENAISSANCE:
A PAPER READ BEFORE THE
FORTNIGHTLY CLUB OF
ROCHESTER
N. Y.
PRINTING did not make the Renaissance; the Renaissance made printing.
Printing did not begin the publication and dissemination of books. There
were libraries of vast extent in ancient Babylon, Egypt, Greece, Rome.
There were universities centuries before Gutenberg where the few
instructed the many in the learning treasured up in books, and where
both scholars and professional scribes multiplied copies of books both
old and new. At the outset of any examination of the influence of
printing on the Renaissance it is necessary to remind ourselves that the
intellectual life of the ancient and the mediaeval world was built upon
the written word. There is a naive view in which ancient literature is
conceived as existing chiefly in the autograph manuscripts and original
documents of a few great centers to which all ambitious students must
have resort. A very little inquiry into the multiplication of books
before printing shows us how erroneous is this view.
We must pass over entirely the history of publishing and book-selling in
ancient times, a subject too vast for adequate summary in a preliminary
survey of this sort. With the fall of Rome and the wholesale destruction
that accompanied the barbarian invasions a new chapter begins in the
history of the dissemination of literature. This chapter opens with the
founding of the scriptorium, or monastic copying system, by Cassiodorus
and Saint Benedict early in the sixth century. To these two men,
Cassiodorus, the ex-chancellor of the Gothic king Theodoric, and
Benedict, the founder of the Benedictine order, is due the gratitude of
the modern world. It was through their foresight in setting the monks at
work copying the scriptures and the secular literature of antiquity that
we owe the preservation of most of the books that have survived the
ruins of the ancient world. At the monastery of Monte Cassino, founded
by Saint Benedict in the year 529, and at that of Viviers, founded by
Cassiodorus in 531, the Benedictine rule required of every monk that a
fixed portion of each day be spent in the scriptorium. There the more
skilled scribes were entrusted with the copying of precious documents
rescued from the chaos of the preceding century, while monks not yet
sufficiently expert for this high duty were instructed by their
superiors.
Public-domain text, read in full here on John Shaqi.
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