Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New YorkSlater, John Rothwell
History
Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New York
Slater, John Rothwell
Printing -- History -- Origin and antecedents; Renaissance
The example thus nobly set was imitated throughout all the centuries
that followed, not only in the Benedictine monasteries of Italy, France,
Germany, England, Scotland, Ireland, Iceland, but in religious houses of
all orders. It is to the mediaeval Church, her conservatism in the true
sense of the word, her industry, her patience, her disinterested
guardianship alike of sacred and of pagan letters, that the world owes
most of our knowledge of antiquity. Conceive how great would be our loss
if to archaeology alone we could turn for the reconstruction of the
civilization, the art, the philosophy, the public and private life of
Greece and Rome. If the Church had done no more than this for
civilization, it would still have earned some measure of tolerance from
its most anti-clerical opponents. It is of course to the Eastern rather
than to the Roman Church that we owe the preservation of classical Greek
literature, copied during the dark ages in Greek monasteries and
introduced into Italy after the fall of Constantinople.
A second stage in the multiplication and publication of manuscript books
begins with the founding of the great mediaeval universities of Bologna,
Paris, Padua, Oxford, and other centers of higher education. Inasmuch as
the study of those days was almost entirely book study, the maintenance
of a university library with one or two copies of each book studied was
inadequate. There grew up in each university city an organized system of
supplying the students with textbooks. The authorized book-dealers of a
mediaeval university were called =stationarii=, or stationers, a term
apparently derived from the fixed post or station assigned in or near
the university buildings to each scribe permitted to supply books to the
students and professors. A stationer in England has always meant
primarily a book-dealer or publisher, as for example in the term
Stationers' Hall, the guild or corporation which until 1842 still
exercised in London the functions of a copyright bureau. Incidentally a
stationer also dealt in writing materials, whence our ordinary American
use of the term. Another name for the university book-dealers was the
classical Latin word =librarii=, which usually in mediaeval Latin meant
not what we call a librarian but a vender of books, like the French
=libraire=. These scribes were not allowed at first to sell their
manuscripts, but rented them to the students at rates fixed by
university statutes. A folded sheet of eight pages, sixteen columns of
sixty-two lines each, was the unit on which the rental charges were
based. Such a sheet at the beginning of the thirteenth century rented
for about twenty cents a term; and since an ordinary textbook of
philosophy or theology or canon law contained many sheets, these charges
constituted no inconsiderable part of the cost of instruction. The books
must be returned before the student left the university; sales were at
first surreptitious and illegal, but became common early in the
Public-domain text, read in full here on John Shaqi.
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