Priscilla and Charybdis: A Story of Alternatives — John Shaqi
Priscilla and Charybdis: A Story of AlternativesMoore, Frank Frankfort
General
Priscilla and Charybdis: A Story of Alternatives
Moore, Frank Frankfort
Fiction
Her father was striding down the hill; the self-respecting gait of
the churchwarden was his--the uncompromising stride of the man who
worshipped the Conventional, and never failed to go to church for this
purpose, returning to eat a one o’clock dinner of roast sirloin and
Yorkshire pudding.
She watched him for some time, and the smile had never left her face.
Then she looked strangely at the bundle of papers which he had flung
at her--his action had suggested flinging them--in his wrath at her
utterance of all that had been in his own heart for more than a year.
She glanced at the papers. They were Canadian, she saw, and they were
profuse in the display of strong lettering in the headlines of the
columns that met her eyes. It seemed as if the half-column of headlines
was designed to exhibit the resources of the typefounders. She saw,
without unfolding the papers, that they referred to a wreck that had
taken place off the coast of Nova Scotia, great stress being laid on the
fact that sixteen lives were lost, and that a man who had tried to carry
a line ashore from the wreck had been swept away to destruction. “A
Hero’s Death!” was the headline that called attention to this detail.
She folded the papers back into their creases. She felt that she could
not do full justice on the open road to the matter with which they
dealt. She must hurry home and read every line in the seclusion of her
own room. In the same spirit she had occasionally hurried to her home
with a new novel by a favourite author under her arm. Nothing must
disturb her. She must be allowed to gloat over every line--to dwell
lovingly upon the bold lettering of the headings, “A Hero’s Death!”
She almost ran along the road in her eagerness; and now her elation
had increased so greatly that she felt it to be indecent--almost
disgraceful--all that her father had suggested that it was. It was all
very well for her to be conscious of a certain amount of satisfaction on
learning that she was released from the dreadful bondage which compelled
her to be the wife of a convict, but it was quite another matter to
feel herself lilting that comic opera air, “I’ll kiss you and die like a
‘ero”; and, when she succeeded in banishing that ridiculous melody from
buzzing in her ears, to be conscious of the rattle of the drum and the
trumpet call of the cornet introducing Don César’s singing of “Let me
like a soldier fall” in the opera of “Maritana.” But there they went on
in her ears--the banjo-bosh of the one and the swashbuckler’s swagger of
the other, accepting the beat of her hastening feet for their _tempo_.
The more she hurried, the more rapidly the horrid tuney things went on;
and she had a dreadful feeling of never being able to escape from them.
She was doomed for her wickedness to be haunted by those jingles for
evermore.
Public-domain text, read in full here on John Shaqi.
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