Prisoners: Fast Bound In Misery And IronCholmondeley, Mary
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Prisoners: Fast Bound In Misery And Iron
Cholmondeley, Mary
Man-woman relationships -- Fiction
"Your young cousin is an enthusiast, a dreamer, a sensitive, what your
Tennyson calls a Sir Galahad. In Italy we make of such men a priest, a
cardinal. He is not an _homme d'affaires_. It was not well to put him
into diplomacy. One may make a religion of art. One may even for a time
make a religion of a woman. But of the English diplomacy one does not
make a religion."
Fay lay awake that night. From a disused pigeon-hole in her mind she
drew out and unfolded to its short length that attractive remnant, that
half-forgotten episode of her teens. She remembered everything--I mean
everything she wished to remember. Michael's face had recalled it all,
those exquisite days which he had taken so much more seriously than she
had, the sudden ruthless intervention of Lady Bellairs, the end of the
daydream. Fay, whose attention had been adroitly diverted to other
channels, had never wondered how he took their separation at the time.
Now that she saw him again she was aware that he had taken it--to heart.
During that sleepless night Fay persuaded herself that Michael had not
been alone in his suffering. She also had felt the parting with equal
poignancy.
They met again a few days later by chance in an old cloistered, deserted
garden. How often she had walked in that garden as she was doing now
with English friends! His presence gave the place its true significance.
They met as those who have between them the bond of a common sorrow.
"And what have you been doing all these four years?" she asked him, as
they wandered somewhat apart.
"I have been working."
"You never came to say good-bye before you went to that place in Germany
to study."
"I was told I had better not come."
"I suppose grandmamma told you that."
"She did, most kindly and wisely."
A pause.
She was leaning in the still May sunshine against an old grey tomb of
carved stone. Two angels with spread wings upheld the defaced
inscription. Above it, over it, round it, like desire impotently defying
death, a flood of red roses clambered and clung. Were they trying to
wake some votary who slept below? A great twisted sentinel cypress kept
its own dark counsel. Against its shadow Fay's figure in her white
gossamer gown showed more ethereal and exquisite even than in memory.
She seemed at one with this wonderful, passionate southern spring, which
trembled between rapture and anguish. The red roses and the white irises
were everywhere. Even the unkept grass in which her light feet were set
was wild with white daisies.
"Do you remember our last walk on the down that day in spring?" she said
suddenly.
She had forgotten it until last night.
"I remember it."
"It was May then. It is May again now."
He did not answer. The roses left off calling to the dead, and suddenly
enfolded the two young grave creatures leaning against the tomb, in a
gust of hot perfume.
"Do you remember," Fay's voice was tremulous, "how you gave me a bit of
pink may?"
"I remember."
Public-domain text, read in full here on John Shaqi.
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