Prisoners: Fast Bound In Misery And IronCholmondeley, Mary
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Prisoners: Fast Bound In Misery And Iron
Cholmondeley, Mary
Man-woman relationships -- Fiction
"I was looking at it yesterday. It is not very pink now."
It was true. In all shallow meanings, and when she had not had time to
get her mind into a tangle, Fay was perfectly truthful. She had
yesterday been turning over the contents of a little cedar box in which
she kept her childish possessions, and she had found in an envelope a
brown unsightly ghost of what had once been a may-blossom on a Hampshire
down. She had remembered the vivid sunshine, the wheeling seagull, the
soft south wind blowing in from the sea. Michael had kissed her under
the thin dappled shade of the flowering tree, and she had kissed him
back.
Michael's eyes turned for a long moment to the yellow weather-stained
arches of the cloister, and then he looked full at Fay with a certain
peculiar detached glance which had first made her endeavour to attract
him. There is a look in a man's face which women like Fay cannot endure,
because it means independence of them.
"I thought," he said, with the grave simplicity which apparently was
unchangeable in him whatever else might change, "that it was only I who
remembered. It has always been a comfort to me that any unhappiness
which my want of forethought, my--my culpable selfishness may have
caused, was borne by myself alone."
"I was unhappy too," she said, speaking as simply as he. She looked up
at him suddenly as she said it. There was a wet glint in her deep violet
eyes. She believed absolutely at that moment that she had been as
unhappy as he for four years. There was no suspicion in her mind that
she was not genuine. Only the sincere ever doubt their sincerity. Fay
never doubted hers. She felt what she said, and the sweet eyes turned on
Michael had the transparent fixity of a child's.
They walked unsteadily back to the others and spoke no more to each
other that day. Conscience pricked Fay that night.
"Leave him alone," it said. "You have both suffered. Let the dead past
bury its dead."
Fay's conscience was a wonderfully adaptable one with a tendency to
poetic quotation. It showed considerable tact in adopting her point of
view. Nevertheless from that generally fallacious standpoint it often
gave her quite respectable advice. "Leave him alone," said the
hoodwinked monitor. "You are married and Andrea is easily jealous.
Michael is sensitive, and has been deeply in love with you. Don't stir
him up to fall in love with you again. _Leave him alone._"
Public-domain text, read in full here on John Shaqi.
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