illustrate or confirm my general proposition, making such use of the accounts of the higher degrees in my possession as I can without admitting the profane into their Lodges. Being under no tie of secrecy with regard to these, I am with-held by discretion alone from putting the public in possession of all their mysteries. PROOFS OF A CONSPIRACY, &c. CHAP. I. _Schisms in Free Masonry._ There is undoubtedly a dignity in the art of building, or in architecture, which no other art possesses, and this, whether we consider it in its rudest state, occupied in raising a hut, or as practised in a cultivated nation, in the erection of a magnificent and ornamented temple. As the arts in general improve in any nation, this must always maintain its pre-eminence; for it employs them all, and no man can be eminent as an architect who does not possess a considerable knowledge of almost every science and art already cultivated in his nation. His great works are undertakings of the most serious concern, connect him with the public, or with the rulers of the state, and attach to him the practitioners of other arts, who are occupied in executing his orders: His works are the objects of public attention, and are not the transient spectacles of the day, but hand down to posterity his invention, his knowledge, and his taste. No wonder then that he thinks highly of his profession, and that the public should acquiesce in his pretensions, even when in some degree extravagant. It is not at all surprising, therefore, that the incorporated architects in all cultivated nations should arrogate to themselves a pre-eminence over the similar associations of other tradesmen. We find traces of this in the remotest antiquity. The Dionysiacs of Asia Minor were undoubtedly an association of architects and engineers, who had the exclusive privilege of building temples, stadia, and theatres, under the mysterious tutelage of Bacchus, and distinguished from the uninitiated or profane inhabitants by the science which they possessed, and by many private signs and tokens, by which they recognised each other. This association came into Ionia from Syria, into which country it had come from Persia, along with that style of architecture that we call Grecian. We are also certain that there was a similar trading association, during the dark ages, in Christian Europe, which monopolized the building of great churches and castles, working under the patronage and protection of the Sovereigns and Princes of Europe, and possessing many privileges. Circumstances, which it would be tedious to enumerate and discuss, continued this association later in Britain than on the Continent.